“Horserace at St. Moritz” by Germaine Verna

Daniel Morper American, b. 1944 Lower Manhattan, St. Pauls, Woolworth Building & City Hall, NY Oil on canvas, signed on recto at lower right 36 in. by 50 in. W/frame 38 in. by 52 in. Landscape painter Daniel Morper is known for his naturalistic, light-saturated images of such diverse scenes as views upward into the skies above Manhattan, scenic panoramas of the badlands and canyons of the American West, and nostalgic paintings of rural landscapes and townscapes. In 2008 LewAllen Contemporary presented the first retrospective exhibition covering the full scope of Morper's career, from his Manhattan cityscapes of the 1970s, up to and including his portraits of the old Santa Fe Railyard. "Morper rewards looking." So says well-known art critic and historian Peter Frank in the catalogue for LewAllen Contemporary's retrospective exhibition. Frank adds: "Morper has a knack for finding the spectacular in the mundane…emphasizing - but not exaggerating - the skew of a vantage, the force and weight of a horizon, the surprise and poignancy of an object silhouetted against a sky." By combining a pre-modernist regard for the meaning of nature with a modernist's search for elemental vision and post-modern exactitude, Morper has, in Peter Frank's view, "helped to bring about a veritable renaissance in American landscape painting." Another critic has noted, "Morper's style borders the edge of photo-realism but is filled with metaphor: stunning Southwest light...

Sigfredo Chacon Venezuelan, 1950. Painting. Acrylic on canvas. Dimensions: 23-3/4 in. by 23-3/4 in. Sigfredo was born in Caracas in 1950. He studied at the School of Fine and Applied Arts Cristóbal Rojas (1963-1966) and Design Institute Neumann-INCE, Caracas (1966-1970). He continued his training as a designer at the Chelsea School of Art and the London College of Printing, England. In the early seventies he participated in the Young confrontations Venezuelan News, Gallery Current Study Hall Arturo Michelena...

Michael Gloeckner American, 1915-1989 Pale Flower Oil on canvas Dated 1971 20 by 18 in. W/frame 25 by 23 in. Michael lived in NYC, he also had a home and studio in West Cornwall, ...

Theodore Alexander Weber German, 1838-1907 “Harbor Scene” Oil on canvas 22 by 36 in. W/frame 28 by 42 in. Studied: Under Wilhelm Krause in Berlin, 1854; Eugene Isabey, P...

Albert Rosenthal, American, 1863–1939. Artist studio. Oil on canvas. Signed and dated 1913. 30 by 25 in. with frame 38 by 33 in. Albert Rosenthal was born in Philadelphia in 1863 and was known as a painter, etcher and lithographer. He studied at the Pennsylvania Academy of Fine Art under his father Max...

Gaston Sebire French, 1920-2002 Landscape with figures Oil on canvas 31 by 41 ½ in. With frame 38 by 48 ½ in. Signed lower right Gaston Sebire (1920 – 2002) Gaston Sebire, was one of Europe’s leading landscapists, was born in the village of Saint-Samson in Normandy in 1920. A self taught artist, he began to paint seriously at the age of eighteen. For eight years he worked as a postal clerk in the Rouen, sorting letters at night in order to support his career as a painter. In 1952 Gaston Sebire had his first exhibition at the Galerie Gosselin in Paris. The following years he enjoyed the double triumph of winning both the coveted Prix de la Critique and the Prix Casa Velasquez. The Latter award made it possible for him to spend a year and a half in Spain. Of this formative period he said, “They were my first, wonderful years without worry. For fifteen years I had never known what the next day would bring.” The year 1957 marked another important stage in his career. His painting “La Dinde” won the Greenshields Prize in a field of 136 competitors, making it possible for him to paint for another two years without the worry of finances. Winning the awards naturally drew public attention to the artist from Normandy, and his works were presented in highly successful one-man shows in Paris. Sebire was a Norman, a man strongly attached to the soil, and after his exhibitions in Paris, he returned to Rouen to his large house overlooking the town and once again plunged into painting the countryside. Gaston Sebire was a strongly built man with square hands and a rather heavy walk. He had immense vitality, and used that to his advantage.  As he said of himself, “When the snow falls, I can’t stay indoors. I set out with my paint box. I paint outdoors from nine in the morning until five at night. If it were only a question of money, one could just as well paint in one’s own room.” But Sebire went into the countryside, or into the village, and sets up his easel. When there is a café into which people are going; there is a fence, a telegraph pole, a few buildings in the background. The scene takes on life, vivid life, with a sense of some event about to take place in the scene. Like many artists, and like a typical Norman, Sebire was silent and solitary by nature, with a personality as strong and Frank as his paintings. A painting, he says, “must have an element of mystery, show an effort to look beyond the aura surface of things.” Sebire’s early paintings were somber with much use of black and white tones. In 1970 he turned to colour. The subtle light of the Normandy skies; the shifting light and color along the seacoast; the magnificent blues of the Rouen pottery...

Bernard Buffet (Follower Of), 20th century French School, Place Furstenberg, St Germaine, 1972, oil on canvas laid on board, signed and dated 1972 lo...

Claudio Verna pastel on paper signed and dated 1980 registered and certified by the Claudio Verna Archive.  Every item of our Gallery, upon request, is accompanied by a certificate o...

This painting is an original, oil painting. Gemaine Dawis was a student of Jean-Jacques Henner, and the realisations she is known for, are like this one , the Henner subjects, with redhead women...

Michael Keane (b.1948 - 2015), oil on canvas signed lower right featuring a boat at anchor in a harbor. Because of the timeless beauty of his work, Mi...

The Artist Project: What Artists See When They Look at Art by Metropolitan Museum of Art. Publisher Phaidon Press, 2017. 1st Ed hardcover. Artists have long been stimulated and motiv...

Flemish Art: Symbolism To Expressionism At Sint-Martens-Latern by Piet Boyens. Published by Lannoo Art Book Publishers, Tielt, Belgium, 1992. 1st Ed hardcover with dust jacket and sl...