Italian Landscape Painting View of Milan Navigli Mixed-Media on Masonite

Tableau italien du 20ème siècle. Oeuvre à technique mixte sur masonite représentant vue de la rivière avec bateaux de bonne qualité picturale, signée en bas à droite (voir photo). Ca...

Painting mixed-media on masonite from 20th century. Italian painting signed and dated lower left (Giletti Carlo Maria - 1980). Work depicting a beautiful urban district. Carved and g...

Italian painting from 20th century. Work in mixed-media on canvas depicting Impressionist style landscape of good pictorial quality. Painting of small measure, missing frame. It has ...

Italian painting from 20th century. Oil painting on Masonite depicting the Lombard countryside in Impressionist style of good pictorial hand. Framework of good size and pleasant deco...

Italian painting from 20th century. Oil painting on Masonite depicting Impressionist style landscape of good pictorial quality. Beautifully decorated wooden frame with some small sig...

French painting from the mid-20th century. Framework oil on masonite depicting countryside landscape with shepherdess and cows of good pictorial quality. Large-scale and impactful pa...

Italian modern Abstract mixed media painting on paper and metal frame, 1972 Abstract style mixed media painting on paper. The gestural painting is characterized by rounded lines and...

Italian modern Abstract mixed media painting on paper and metal frame, 1972 Abstract style mixed media painting on paper. The gestural painting is characterized by rounded lines and...

William P. Katz, American (1926-2003). "The Lady of the Forest", mixed media gouache and pastel on paper, 1991. Signed/dated "W.P. Katz '91" bottom right, inscribed on verso: "To Ruthie 4/6/92; Happy birthday from 'The Lady of the Forest'". Presented in a gold-painted wooden frame. A lovely and whimsical painting in pastel colors by respected sculptor/artist William P. Katz, depicting the face of a woman...

Paul Wightman Williams, American (20th century). This diminutive mixed-media watercolor, pastel, and ink on paper depicts a haunting abstracted face. It is float-mounted in a faux-g...

Judith Minna Pike December 19, 1942- October 18, 2019 Mixed media painting of a young thoughful woman, sitting comfortably. Pike used many different brush techniques when painting...

Maximilien Luce (Fr. 1858 - 1941) Farm Scene Painting Maximilien Luce incorporates ink, crayon, and watercolor to create a large impressionistic and multifaceted social statement of the times. A French 19th century story unfolds of a family working, learning and playing together. It makes you wonder if they are storing the hay for winter or what other animals they possess and what they will trade if they have excess hay. Luce was a master of viewing human interactions and placing his interpretations on paper and canvas. This painting is very large and detailed signifying that it was not a sketch or study; but a important piece of Luce’s repertoire. I would like to personally thank Denise Bazetoux for authenticating this painting. Mixed media on paper. Village Farm Scene. Signed: “Luce” LL Hammer Galleries stamp verso. From a New York, NY collection. Dimensions: 21" high x 29.25" wide Framed: 31” X 38” Inches Condition: Very Good to Excellent. Framed behind glass, not examined out of frame. Minor toning at margins. Frame with wear commensurate of age and use. AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return policy if the items are not as described. Maximilien Luce (13 March 1858 – 6 February 1941) was a prolific French Neo-impressionist artist, known for his paintings, illustrations, engravings, and graphic art, and also for his anarchist activism. Starting as an engraver, he then concentrated on painting, first as an Impressionist, then as a Pointillist, and finally returning to Impressionism. Maximilien-Jules-Constant Luce was born on 13 March 1858 in Paris. His parents, of modest means, were Charles-Désiré Luce (1823–1888), a railway clerk, and Louise-Joséphine Dunas (1822–1878). The family lived in the Montparnasse, a working-class district of Paris. Luce attended school at l'Ecole communale, beginning in 1864. In 1872, the fourteen-year-old Luce became an apprentice with wood-engraver Henri-Théophile Hildebrand (1824–1897). During his three-year xylography apprenticeship, he also took night classes in drawing from instructors Truffet and Jules-Ernest Paris (1827–1895). During this period, Luce started painting in oils. He moved with his family to the southern Paris suburb of Montrouge. His art education continued as he attended drawing classes taught by Diogène Maillard (1840–1926) at the Gobelins tapestry factory. Luce began working in the studio of Eugène Froment (1844–1900) in 1876, producing woodcut prints for various publications, including L'Illustration and London's The Graphic. He took additional art courses, at l'Académie Suisse, and also in the studio of portrait painter Carolus-Duran (1837–1917). Through Froment's studio, Luce became friends with Léo Gausson...