Large Orientalist Painting of a Beautiful Half Nude Odalisque

A woman reclines in her quarters as a lute is played to her by a man seated on the ground beside her. She sits atop a large spotted animal skin beside a tall hookah resting upon a deep set golden...

A fine pair of orientalist watercolor paintings depicting Rug Merchants by Amedeo Simonetti. Maker: Amedeo Simonetti (1874-1922) Origin: Italian Date: 19th century Medium: Watercolo...

Fine painting of a harem girl with a lute sitting on pavement. Title: A harem girl with a lute Artist: Vincent G. Stiepevich (Russian/American, 1841-1910) Date: 19th century Me...

19th century orientalist painting of a sword merchant by Addison Millar Maker: Addison Thomas Millar (1850-1913) Origin: American ...

A fine orientalist painting of two women in a harem by Stiepevich A fine orientalist oil painting depicting two women conversing in a harem. Artist: Vincent G. Stiepevich (Russo-...

A Fine quality French Orientalist painting of a market by Addison Millar Maker: Addison Thomas Millar (1850 - 1913) Origin: American Date...

Large, early 20th century orientalist painting. Oil on canvas. No trace of signature.

Large, early 20th century orientalist painting. Oil on canvas. No trace of signature.

Large, early 20th century orientalist painting. Oil on canvas. No trace of signature.

Large and striking, this painting by Robert Childers presents a reclining ballet dancer, clothed above the waist in a dancer's sleeveless shirt, but nude below, holding a pink ribbon...

Orientalist oil on board by Henry Stanier (1831-1894) in the ornate original frame. Titled “The Narghuileh” and dated 1859. Signed on the verso Stanier and initialed H.S. Titled on the verso in the artist's hand. Measures: 12" H x 9" W inches. Frame measures: 24" H x 21" W The painting is in good condition. Henry Stanier (1831-1894) Stanier was born in Birmingham, England (1831-1894) but lived also in Spain, where he passed away in Granada in 1894. During the 1880s and 1890s Stanier often painted the view from the Mirador de San Nicolas. Inspired by the rich cultural legacy of Granada’s Moorish past, he also produced a number of carefully observed architectural subjects, sometimes incorporating picturesque or exotic figures in an Orientalist vein. Such scenes were occasionally exhibited in London at the Royal Society of British Artists, although it appears that Stanier found a ready market for his work amongst Granada’s passing foreign tourists. As a young artist in his home city of Birmingham, Stanier had been an active exhibitor of flower pieces and historical genre scenes. Later, in the 1860s and 1870s, he painted Egyptian landscapes...

Orientalist painting of a holy man blessing a young child, whilst women and men look on, awaiting their turn, some women are bearing gifts of food and a man, probably the Imams valet...