Large Scale Vintage Landscape Oil Painting

Signed Antonio Angulo, this gorgeous pair of original oil paintings are oversized and amazing. They are signed by the artist and dated 1979. Since being photographed, the paintings ...

This is a massive piece of modern art that makes a huge statement. Measuring in at 8ft 2in, it’s a beast, the equivalent of a mural. Add a huge pop of color to your space today.

Gorgeous set of 3, colorful Tropical foliage paintings. Painting need a little refreshing but can definitely be used as is if you don't mind small imperfections. Small chips to bla...

One of a kind, cut steel wall sculpture. Dated August 19, 1997. A super fun piece that would look great in almost any space. If you're looking for a piece of art, different from the ...

LARGE and Absolutely incredible Park Bei Lu, by Paul Klee, Large Scale Mosaic tile art piece. Mosaic is framed. Bold lines and colors, this piece combi...

This stunning botanical wall mirror has an intricately carved and cerused wood frame. The mirror is fairly substantial measuring almost 5ftx3ft. It can be hung vertical or horizontal and has hanger on the back for either configuration. It would look great with many decor styles. The mirror is by Turner...

Fabulous large-scale Mid-Century Modern landscape oil painting. We love the size and subject matter of this gem of a painting from the Mi...

Large landscape oil painting, circa 1890.

Exceptional Large Scale 19th Century English School Bucolic Landscape Oil Painting. While there is no signature or specific attribution to the artist’s hand - it is with a doubt an e...

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...

This spirited vigorously painted vintage large scale abstract landscape oil painting of a palm lined street is signed by California artist John Martin, has been newly framed in a woo...

An outstanding and grand scale oil on canvas painting of a nude male. Entitled "La Vittoria Della Verita' Sull'Insidia" - "The Victory Of Truth Over The Trap"..... Expertly executed ...