Lolo 'Dolores' Soldevilla Cuban Geometric Oil Painting, Signed & Dated 1956
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Lolo 'Dolores' Soldevilla Cuban Geometric Oil Painting, Signed & Dated 1956
About the Item
- Creator:Loló Soldevilla (Artist)
- Dimensions:Height: 29.88 in (75.9 cm)Width: 25.75 in (65.41 cm)Depth: 2.5 in (6.35 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1956
- Condition:Wear consistent with age and use. vintage patina.
- Seller Location:Miami, FL
- Reference Number:1stDibs: LU1974328977882
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She was the third child of a piano teacher, María Paula Bathilda Nieto Lannes and a merchant, Raoúl Soldevilla Seballos, both originally from Pinar del Río. Her maternal grandparents were Severo Nieto (Pontevedra, Spain) and Lorenza Lannes Díaz, baptized in Pinar del Río. Her paternal grandparents were Pedro Soldevilla Martí (Caracas, Venezuela) and Dolores Seballos Bermúdez (Habana, Cuba). Loló was a precocious, restless, and curious girl. She was surrounded in her early years in Pinar del Río by a numerous, charismatic, and cultured family. Her mother’s and uncle’s instructions provided a learning environment, and from an early age she practiced reading and writing, singing, piano, and the appreciation of various art forms such as painting and theater. Also as a child she was reflective of social issues since she was surrounded by ideals and actions that defined her family during that time. Around 1911 Loló is translated to Havana with her family. There she studied and graduated from piano and vocal performance (soprano). She trained her voice with professor Zoila Gálvez in the Municipal Academy of Havana and violin with professor Casimiro Zertucha in the Falcón Conservatory. In 1926 Loló went to live with her mother and sister near Paseo del Prado, where they remained until they were evacuated during the catastrophic hurricane of that same year. At age 25, Loló married Manuel de Jesús Nazario Barba Bonen, a professional pianist. From this marriage were born her three children, Haydée, Magaly, and Pasto; the latter passing at one year old. In 1934 she founds the “Loló Orchestra,” composed of women and with a Latin American and Cuban repertoire. She directed the orchestra and played the violin. They performed regularly in the “Aires Libres” in the cafés of the Paseo del Prado in Havana. During these years Loló refines her political ideals and actions, stemming from her early education in Pinar del Río and family traditions. She takes part in diverse activities against the government of Machado and she was imprisoned more than once in the Women’s Detention Center of Guanabacoa. In 1937 she becomes a member of the National Executive Committee of the Cuban Revolutionary Party (Authentic), where she carried out activities according to that historical moment. In 1940 Loló marries syndicalist Eusebio Mujal and they divorce four years later due to the discrepancy of their political ideas. In 1946 she represented the Authentic Party as a member of the House Representatives of the Oriente Province, where she was named President of the Commission of Press and publicity. She travels to Prague in 1947 to participate in the first session of the International Women’s Federation. Loló was charged with representing and defending the ideals of Cuban women, their social problems, the defense of children, etc. In 1948 she became a member of the House of Representatives of Cuba. 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