Lowell Nesbitt Ten Lemons Iconic Oil Painting painted in 1978 Still Life

Constantin Kluge vibrant oil painting on Canvas City Scene France. Constantin Kluge was a Russian-born French painter best known for his naturalistic scenes of Paris and French cou...

Amazing James Coignard painting on canvas titled Atomic Ultimate. Original title plaque on front. Original frame. James Coignard, painter, ceramist, sculptor and etcher, was born...

Very Vibrant Encaustic painting titled Swimming in Tokyo by world renowned artist Thomas Swanston. The painting was executed in 2003. The actual painting size is 18 by 18 inches. ...

Amazing peacock sculpture attributed to Willy Daro. Great agate stone feathers surrounded by gilt metal. The combination or the metal and the stone on the marble base makes this a tr...

Beautiful pair of brass and lucite Urn form lamps by Frederick Cooper. Lamps have an original Frederick Cooper label. In 1923, Frederick Cooper, a Chicago artist, established a studio to create beautiful sculpture and watercolor paintings. American architecture was in its heyday in the Windy City. Mr. Cooper was drawn to the still fairly new invention of lamps. Through mixing the media of brass, fabric, glass and wood, Cooper created exquisitely designed lamps that matched the swift innovation in American architecture. This heritage carries on today, with designs that are at the forefront of style and fashion. We create the most artistic designs, using exquisite materials and superior craftsmanship. Quite simply, we design and create illuminated art. We use the finest natural materials - brass, bronze, nickel, copper, marble, jade and alabaster – and also create art glaze ceramics, hand decorated porcelain, and crystal. Our design committee is in unfettered pursuit of the broadest array of styles - refreshed traditional to transitional with classic lines. These include Deco, Nouveau, Cubist, Organic - clean and elaborate. We have design collaborations with Larry Laslo, Mario Buatta, Alexander Julian...

Gianmaria Potenza Large Murano Glass complicated Murrine vase in Vibrant sky blue. Size of the Murrine is amazing. Spectacular and rare vase.

A beautiful example by well-known artist Lowell Nesbitt featuring dramatic pale Irises on a dark grey ground. Image size: 22" H x 34" W. Simply framed. In mint condition. Signed, titled and dated on the Verso. Lowell Nesbitt (1933-1993), was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London. In 1964, the Corcoran Gallery of Art in Washington gave him one of his first museum exhibitions. Mr. Nesbitt was frequently grouped with the Photo Realists. Mr. He was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9 and Apollo 13...

Stunning Signed, Lowell Nesbitt Paper Collage and Hand Painting, 1981 Lowell Blair Nesbitt (October 4, 1933 - July 8, 1993) was an American painter, draughtsman, printmaker, and sculptor. He served as the official artist for the NASA Apollo 9, and Apollo 13 space missions; in 1976 the United States Navy commissioned him to paint a mural in the administration building on Treasure Island spanning 26 feet x 251 feet, then the largest mural in the United States; and in 1980 the United States Postal Service honored Lowell Nesbitt by issuing four postage stamps depicting his paintings. In 1958 the Baltimore Museum of Art hosted the first solo museum exhibit that Nesbitt was to have in his lengthy career, but it was in 1964 with his debut at the Corcoran Gallery of Art (Museum) in Washington, D.C. that Nesbitt received greater recognition. The array of botanical works most likely would not have been created had it had not been for the beckoning of fellow artist Robert Indiana, who, in 1962, after viewing some of Lowell Nesbitt's abstract paintings drawings and prints, suggested that he attempt to make a conversion from the abstraction which Nesbitt’s career had been focused on pre-1962, to the style of realism. Museum and government collections Lowell Nesbitt’s artwork is owned by hundreds of public collections worldwide. Those collections include, American Embassy art program; The Art Institute of Chicago, Illinois; David Geffen Hall, Lincoln Center, New York, New York; Baltimore Museum of Art, Maryland; Butler Institute of American Art, Youngstown, Ohio; Castle Gandolfo, Rome, Collection of the Vatican Museums; Cleveland Museum of Art, Ohio; Corcoran Gallery of Art, Washington, D.C. (transferred to the National Gallery of Art, Washington D.C.); Dallas Museum of Art, Dallas, Texas; Detroit Institute of Arts, Detroit, Michigan; Ulrich Museum, Wichita State University, Kansas; United States Environmental Protection Agency, Washington, D.C.; Federal Reserve Bank, Baltimore, Maryland; Federal Reserve Bank of Richmond, Virginia; Harvard Art Museums, Harvard University, Cambridge, Mass; Modern Art Museum of Fort Worth, Texas; Goucher College, Baltimore, Maryland; High Museum of Art, Atlanta, Georgia; Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Hunt Institute for Botanical Documentation, Canegie-Mellon University, Pittsburgh, Pennsylvania; International Monetary Fund, Washington, D.C.; Israel Museum, Jerusalem; John and Mable Ringling Museum of Art, Sarasota, Florida; Museum of Contemporary Art San Diego, La Jolla, California; Library of Congress, Washington, D.C.; Orlando Museum of Art, Florida; Massachusetts Institute of Technology, Boston; Memorial Art Gallery, University of Rochester, New York; Miami-Dade Public Library System, Miami, Florida; Milwaukee Art Museum, Wisconsin; Morris Museum of Art, Morristown, New Jersey; Museum of Modern Art, New York; National Aeronautics and Space Administration, Washington, D.C.; National Gallery of Art, Washington D.C.; American Art Museum, The Smithsonian Institution, Washington, D.C.; Te Papa, Wellington, New Zealand; New York City Center, New York; Oberlin College, Ohio; Oklahoma City Museum of Art, Tulsa; Parrish Art Museum, Southampton, New York; Ludwig Forum für Internationale Kunst, Germany; Philadelphia Museum of Art, Pennsylvania; The Phillips Collection, Washington, D.C.; Centre national des arts plastiques, Paris, France; Renwick Gallery, Smithsonian Institution, Washington D.C.; Saginaw Art Museum, Saginaw, Michigan; San Antonio Museum of Art, Texas; SEB Group, Goteborg, Sweden; Temple University, Philadelphia, Pennsylvania; Thyssen-Bornemisza Museum; Tucson Museum of Art, Arizona; Twelfth Naval District, Treasure Island Museum, San Francisco, CA; United States Department of the Interior, Washington, D.C.; University of Maryland, College Park, Maryland; University of North Texas, Denton, Texas; University of Virginia, Charlottesville; Washington and Lee University, Lexington, Virginia; Worcester Art Museum, Worcester, Massachusetts; and Yale University Art Gallery, Yale University, New Haven, CT.[10] Nesbitt was often classified as a Photorealist artist, though he fought inclusion with this group of artists throughout his career. Nesbitt established himself as an artist who could employ both diversity of technique and subject matter while creating paintings, drawings and prints using studio interiors, articles of clothing, piles of shoes, x-ray figures (Nesbitt was the first highly recognized artist to use this subject matter since the artists of the New Zealand region unknowingly painted "x-ray style" figures at the early portion of the last millennium), caverns, ruins, landscapes, flowers, groupings of fruits and vegetables, and electronic components (he is credited for being the first artist to use computer parts as subject matter for his artwork). He also used his pet dogs in addition to birds, reptiles, various mammals and the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges, in addition to a number of series in which he incorporated numerous Victorian staircases...

This stunning still life oil painting is a great way to add a bit of brightness to the walls of your kitchen or dining space. Fruit and vegetables have ...

The midcentury still life painting is oil on masonite and is signed in the lower left corner. The focus of the composition is a yellow bowl of ba...

20th century still life of leather books, a brass candlestick and an inkwell with quill pen painted in an impressionistic style. Oil on canvas and signed in the lower right corner.

Original oil painting self portrait of the late Donald K Ryan. Donald K Ryan’s work spans mostly from the 80s to the early 2000s. Throughout his career he was juried into more than 4...