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Monumental Original Painting on Aluminum by Artist Jay Phillips

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    By Ted Lownik
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    A beautiful 1970s acrylic on canvas abstract painting by American listed artist Ted Lownik. Newly framed with a wood gilded frame. Signed on the right lower corner. Dimension: 23.5"...
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  • Original Abstract Painting by Listed Artists Tom Belloni
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  • Original Mixed-Media Abstract Painting by Listed Artist Josh Dayton
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  • Original Acrylic Painting by Italian Listed Artist Piero Pastacaldi
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  • Enamel on Masonite Abstract Painting by American Artist Rick Orr
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    Located in Palm Springs, CA
    Original enamel on masonite abstract painting from "Edge of Tow" series by American listed artist Rick Orr. Dimensions: 40" high, 40"wide, 1"deep.
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  • An Original Painting By American Artist Agnes Sims (1910 - 1990)
    By Agnes Sims
    Located in Palm Springs, CA
    A mixed media on board from the 1960's by American Artist Agnes Sims "Agi" Sims is known for paintings and sculptures inspired by prehistoric rock art of New Mexico. Born in Devon, Pennsylvania, Sims attended the Pennsylvania Academy of Fine Art and the Philadelphia School of Design for Women. She managed a traveling marionette theater before establishing herself as a textile and needlework designer in Philadelphia. After a visit to New Mexico in 1938, Sims returned to Philadelphia, packed her belongings, and returned to make Santa Fe her permanent home. She opened a classical record store in an eighteenth-century farmhouse on Canyon Road, but the shortage of shellac during the War put her out of business. Sims then became a building contractor (skills taught her by her contractor father), purchasing and renovating historic houses around Santa Fe. She later bought a nineteenth-century house with acreage on Canyon Road and built a compound including a house for herself and one for her long-time partner, Mary Louise Aswell, the fiction editor at Harper's Bazaar who had brought writers such as Eurdora Welty and Truman Capote to the public's attention. Shortly after her arrival, a friend introduced Sims to the Galisteo Basin south of Santa Fe which was dotted with the ruins of prehistoric Indian Pueblos, and home to tens of thousands of ancient petroglyphs. The rock art captivated Sims and became her primary inspiration for the rest of her career. Over the next decade she recorded 3000 petroglyphs in drawings and thousands more in photographs. In 1949 she received a grant from the American Philosophical Society to further her research, and in 1950 she published a portfolio of selected rock at drawings in her monograph, San Cristobal Petroglyphs. Most of Sims paintings and sculptures were inspired by petroglyphs, but unlike her documentary drawings they never were literal copies. Rather she adopted and adapted the two-dimensional representations of people and animal into an art that fit comfortably into the larger world of mid-century modernism. She used simple, idiosyncratic figures to create her own symbolism, the original meanings of the ancient art being mostly lost to the past. Sims worked in a wide array of media. Her oil paintings on canvas often were mixed with an earthen medium which gave them a rough, stone-like texture. She developed a batik-like resist process for painting on cloth, and used it to produce large, un-stretched wall hangings. She used this technique to produce an architectural frieze 3.5 feet high and almost 150 feet long which still adorns the Century Bank lobby in downtown Santa Fe. Sims was a prolific sculptor, working in wood, stone, bronze, terracotta, fiberglass, and polyester. Sims was given one-woman shows at the Brooklyn Museum, U.S. Embassy in London, Folger Library, Colorado Springs Fine Art Center, Santa Barbara Museum of Art, McNay Art Institute in San Antonio, Texas, and the Museum of Fine Art in Santa Fe. She also showed her work at the gallery she owned on Canyon Road. At times, she rented studio space in her gallery building to local artisans, hoping to spark a revival of early New Mexico...
    Category

    Vintage 1960s American Prehistoric Paintings

    Materials

    Paint, Wood

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  • Original Space Artist Andreas Nottebohm Acrylic on Aluminum Painting KNM 1387
    Located in Tustin, CA
    Visionary, abstract original acrylic on aluminum painting by famous NASA Space Artist, Andreas Nottebohn, titled "KNM 1387" depicts a colorful, otherworldly scene on a shimmering sheet of scored metal. This incredible celestial painting frees the viewer from a one dimensional perspective by suggesting a vast and mysterious distance. Information on the back of the painting states, “KNM 1387 Spec 1 of 48 similar original paintings 1996 30 x 24 Acrylic on Aluminum”. Hand signed by the artist in the lower left corner. Very nicely custom framed in a transitional style black frame with wide silver inner lining. Framed, the painting measures approximately 35" high x 29" wide x 2" deep. Unframed painting measures approximately 30" high x 24" wide. One of the key innovators of metal painting, Nottebohm creates what might be called sculptures on a flat plane. By removing microscopic layers from the metal surface, he transforms the material into patterns of shimmering light. The unusual luminous quality of Nottebohm's work comes from the aluminum surfaces he scores, using a variety of manual and machine tools. Aluminum can create light and movement that you cannot create with anything else. It is similar to the sun reflecting on water, and you see one painting from one side and another painting from another side. East German born (1944) Andreas Nottebohm moved to Munich as a teenager and immigrated to the San Francisco Bay area of the United States in 1979, after touring the U.S. for a one man exhibition. While in Germany in the 1970s, he was one of the co-founders of the Society for Art and Science in Munich. Around the time he relocated to the United States, he was invited to participate in the NASA Art...
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