Painting of Cannery Row, Monterey by Fred Korburg

Original California Post-Impressionist oil painting titled by Fred Korburg. Titled "Boat Yard" China Beach, Monterey, California. Nautical theme with docs, boat, beach, figures and building. Signed lower left corner and titled on verso. Painted on reverse masonite. Original frame. Painting without frame measures 20" H x 24" W. Born in Grenaa, Denmark on Nov. 22, 1896. Frederic Korburg studied at the Graphic Art Center in Copenhagen and at the Academy of Fine Arts in Hamburg, Germany under Max Lieberman. After coming to California in 1920, he further studied with Armin Hansen...

Beautiful painting by Fred Rubik, hand-signed on the back. Oil on canvas with museum frame.

Purchased straight from the Estate of Leonard Buzz Wallace. Painted by Wallace who taught and lectured on fine art at Orange County Community College, Middletown, NY through out the 1960-80s. Wallace's talent and output ranged from later large amazingly executed color field and abstract paintings to earlier figurative work. The haunting and moody row house...

"The Three Tenors" by Fred Aris (b1932) Aris is a self-taught painter, whose paintings have always reflected an extremely varied subject matter, bu...

Excellent example of a large oil on canvas abstraction by Fred Hocks from 1957. This painting was included in the 1976 retrospective at the Fine Arts Gallery in San Diego which later became the San Diego Museum of Art. No painter embodies San Diego’s early avant-garde more than Fred (Ferdinand) Hocks, a German-born painter who began visiting San Diego in the late 1920s after studies at the California School of Fine Art in San Francisco and the Art Students League in New York. Fellow painter Dan Dickey credited Hocks in 1947 with “opening up pathways for future, more enlightened generations (of artists),” and predicted that Fred Hocks would be “esteemed a master.” During the post-war years Hocks was assistant director of the San Diego School of Arts and Crafts, a private art school in La Jolla, and was instrumental in keeping affordable artist’s studios in Spanish Village. Along with modern architect Lloyd Ruocco, Fred Hocks co-founded the dynamic Allied Artists Council with Belle Baranceanu, Everett Gee Jackson, Dan Dickey and John Olsen. The well-travelled Hocks exhibited in San Francisco, Oakland, Los Angeles, Long Beach, Pasadena, Paris, Mallorca and Guadalajara, had several one-person shows at the Art Center La Jolla/La Jolla Museum of Art and at the Fine Arts Gallery (SDMA). The San Diego Museum of Art held a major retrospective of his painting in 1976, just a few years before his death. He brought a continental element to the local art scene and is described in Bruce Kamerling’s 100 Years of Art in San Diego as “one of the most adventurous local artists…an intelligent and articulate defender of modern tendencies in art.” Local arts and architecture writer James Britton called Fred Hocks “the dean of the San Diego moderns...

Dramatic and gripping, this pair of original paintings served as illustrations for “Slave Story” a book or magazine story. Pendexter may ha...