Paloma de Sanjuanena, Jaime Parladé's Wife, 1980 Andalusian Watercolour

Paloma de Sanjuanena, 1980s lobster still-life watercolour. Her husband, Jaime Parladé's was renowned interior to the very rich and designer and marquis de Apezteguía. Measures...

1970s Jaime Parlade's Designer Hand Painted "Zebra" Oil on Canvas Frame not included

1970s Jaime Parlade's Designer Hand Painted "Rhino" Oil on Canvas Frame not included.

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

1970s Jaime Parlade designer hand painting "Tiger" oil on canvas.

Jaime Parladé Oil on canva Spain 1970

These charming English School portraits show the subjects half-length by a desk, the surgeon with a skull at his elbow and his wife with an open writing box. Oil on canvas within a gilded frame and accompanied by five related letters. English, circa 1810. Footnote: Robert Prideaux died aged 36 in 1818 but in his short life he managed to rise rapidly through the ranks as a naval surgeon. The Naval Chronicle Vol. 19 (1808) records his appointment as a surgeon, aged only 26, on the cutter Sprightly and that he moved to the Lily by the end of the same year. In 1809, a member of the crew of the vessel Polyphemus was involved in a drunken incident that culminated in him being sick on the quarter-deck of the Lily whilst both vessels were docked at Port Royal in Jamaica. This led to a Court Martial appearance for one Joseph Fountain, the Master at Arms...

A pair of watercolors of Vicenzo Caprile (Naples 1856-1936) A couple of young Neapolitans peasants dressed in typical costumes Signed by Vicenzo ...

Watercolor advertising study for the optical company Zeiss, from 1920s. The picture is signed: "Juranka" and is now framed.

A pair of watercolours by (Albert) Gordon Thomas R.S.W ( 1893-1970), one titled ‘Summer Afternoon Weymouth’showing a gentleman’s motor yacht in the foreground and the other ‘Yachts a...

Beautiful painting in gouache technique depicting a distinguished young lady. The noblewoman presents a pose of rare elegance, with one hand resting on a planter and the other holding a closed fan. The grace, period, style and quality all point to the production of a great artist from the Flemish area in the second half of the 19th century: Alfred Émile Léopold Stevens...