Pastel and Gouache Drawing of Female Figure by Frank Guttierrez

This abstract painting features lines of gradient blues triangles entangled like festive garlands . Cubism influenced the combination of triangle shapes of different sizes in this artwork . Edward Wolfe is known for semi-abstract figure, still life, landscape and portrait painting and drawing, some cubism. Edward Wolfe (29 May 1897 – 8 July 1982) was a British artist who was a Portrait, flower, and landscape painter, mainly in oil, illustrator, and draughtsman in pen and ink and pencil. Born in Johannesburg, South Africa, Wolfe came to England and studied at the Slade School 1916–8, having in his native country worked for periods as a child actor and for a jeweler, during which time he had his first serious art lessons with the British painter George Smithard. Whilst at the Slade was invited by Nina Hamnett to join Roger Fry...

Artist Byron Randall, Signed and Dated. A post-impressionist expressive still life. In the top left a vase with luxurious flowers, while in the forefront there is a banana in a small fruit bowl...

This piece by Jae Carmichael (1925-2005) features a patchwork gouache painting full of emotion and color, with broad strokes of yellow, red, green, and blue filling the artwork in ho...

A Geometric Abstraction gouache on paper by Christopher Mark Brennan. This piece is very enjoyable to observe. The layers upon layers of shapes and playful colors, present us with ...

Pastel portrait of a woman by Gillian Lefkowitz. Her portraits are known to convey the mood of the person she painted. After her career as a professional photographer and Fine Art painter, Gillian became a Los Angeles-based interior decorator.

Portrait of an androgynous figure. Through a dramatic and expressive color palette, Lefkowitz showcases so much emotion in her portraits. Her artw...

Red chalk drawing of a reclining Female nude Signed and dated by Frank Dobson This drawing, never before on the market, comes from an important European private collection and is beautified by an antique frame in gilded wood, in almost perfect condition. The painting is also protected by glass Dimensions whit frame cm 71 x 58.5 Every item of our Gallery, upon request, is accompanied by a certificate of authenticity issued by Sabrina Egidi official Expert in Italian furniture for the Chamber of Commerce of Rome and for the Rome Civil Courts. Frank Owen Dobson (London 1886 – 1963) was a British artist and sculptor. Dobson began as a painter, and his early work was influenced by cubism, vorticism, and futurism. After World War I, however, he turned increasingly toward sculpture in a more or less realist style. Throughout the 1920s and the early 1930s he built a reputation as an outstanding sculptor and was among the first in Britain to prefer direct carving of the material rather than modelling a maquette first. The simplified forms and flowing lines of much of his sculptures, particularly his female nudes, showed the influence of African art. From 1946 to 1953 Dobson was Professor of Sculpture at the Royal College of Art. He was elected to the Royal Academy in 1953. While Dobson was one of the most esteemed artists of his time, is now seen as one of the most important British sculptors of the 20th century. Dobson grew up in Clerkenwell where attended school in Forest Gate. After eighteen months in Reynolds-Stephen's studio, Dobson moved to Devon and then to Cornwall where he lived, for two years, by selling landscape paintings. In 1906 he obtained a scholarship to study at the art institute in Hospitalfield House in Arbroath and studied there for four years. From 1910 to 1912 Dobson attended the City and Guilds of London Art School in Kennington, after which he returned to Cornwall. In Newlyn, he met Augustus John who used his influence and contacts and in, or around, 1915 Dobson created his first sculpture, a small piece in wood. In 1915, during the First World War, Dobson enlisted in The Artists Rifles and served in France from October 1916. In April 1918 he married Cordelia Clara Tregurtha. Dobson was formally invalided out of the Army in November 1918 and by then had already submitted several drawings to the British War Memorials Committee. Dobson set up a studio in the Tregurtha family home in Newlyn but towards the end of the war he took a studio in Manresa Road in Chelsea and would live there until the start of the Second World War. Throughout the 1920s Dobson focused increasingly on sculpture, exhibited work in several influential exhibitions and played a leading role in a number of artistic groups. He was the only sculptor to take part in the 1920 Group X exhibition. Dobson was a founding member of the London Artists Association and spent three years as President of the London Group between 1923 and 1927. He made bronze portraits of several public figures. At the Group X exhibition he exhibited two sculptures and studies of Ben Nicholson and his bronze head of H. H. Asquith was shown at the Leicester Galleries in late 1921. Other subjects included Osbert Sitwell, Lydia Lopokova and Tallulah Bankhead. Dobson exhibited at the Venice Biennale in both 1924 and in 1926, was featured in the 1925 Tri-National Exhibition which visited London, Paris and New York and was also included in the 1926 European artists exhibition that toured America and Canada. In March 1927 he had his first major one-man exhibition when the Leicester Galleries exhibited twenty-three of his sculptures and several bronzes. In 1930 the Tate purchased a larger-than-life sculpture from Dobson and erected it outside the gallery on Millbank. During the early 1930s Dobson continued to receive portrait commissions, most notably for Sir Edward Marsh and the actress Margaret Rawlings. Dobson worked in other media including textiles and silver, as well. His silver gilt cup, Calix Majestatis, to mark the coronation of George VI and Queen Elizabeth is now in the Royal Collection. During 1933 Dobson fractured his left arm which greatly limited his ability for heavy carving and his last monumental stone carving was to be Pax, which was first shown at the London Group in 1935. At the start of World War Two, Dobson and his second wife [Caroline] Mary Bussell, whom he had married in 1931, moved to Bristol, where a large retrospective of his work was held in March 1940. Dobson lived in the city throughout the Bristol Blitz and like several other artists painted the ruins of churches destroyed in the bombing. Dobson contacted the War Artists' Advisory Committee and offered his services as both a painter and sculptor. WAAC were reluctant to offer sculpture commissions but eventually did offer Dobson a short-term contract for two portrait busts of Naval personal. Later WAAC commissioned some paintings, including one of workers arriving for work at a factory that had been relocated to a tunnel. Dobson was appointed head of sculpture at the Royal College of Art in 1946, a post he held until his retirement in 1953. For the Festival of Britain site on the South Bank of the Thames in 1951, Dobson created London Pride. The sculpture was originally exhibited as a plaster cast but was later, after Dobson died, cast as a bronze and placed in front of the Royal National Theatre in 1987. Among his last commissions were a bronze head of Sir Thomas Lipton and the zodiac clock...

Set of 4 sanguine drawings made by Giulio Falzoni in pastel and watercolor in the 1960s Ø cm 29 h cm 33 Giulio Falzoni was born in 1900 and died in 1979 Milan. He was an Italian pa...

This beautiful pastel portrait was recently acquired from a London, England estate and it dates to the late 1920s. The artist Robert Louis Raymond Duflos was known for his pastel por...

Gouache and pen work by André Arbus (1903-1969). Signed Andre Arbus. Origin: Drawing of dining table by Andre Arbus for the apartment of Mme Pedersen, Paris, 1938. Literature:...

Set of 8 Asian Chinese (19th century) gouache paintings of traditionally clad figures framed in modern gilt faux bamboo frames.

Untitled Surrealist Painting by Frank Ponstingl (1927-2004) Gouache on Paper Offered for same in a surrealist gouache on paper by American artist Frank Ponstingl (1927-2004). Thi...