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Primitive Portrait of a Military Gentleman, 1925

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  • Portrait of a Young Man, Gerard Hordyk, 1931
    Located in St Annes, Lancashire
    Wonderful portrait of a young man. A striking resemblance to King Edward V111 By Gerard Hordyk* Great colours and technique. Oil on canvas. Unframed. Signed and dated lower righ...
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  • Original Antique Print of a Portrait of a Gentleman After Pisanello. C.1900
    Located in St Annes, Lancashire
    Great image of a portrait of Leonello D'Este After Pisanello Chromo-lithograph Published by The Connoisseur, C.1900 Unframed.
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    Antique Early 1900s English Renaissance Prints

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  • Naive School Painting of An Assembly of Figures. French, C.1950
    Located in St Annes, Lancashire
    Delightful naive painting of possibly fisherfolk. Most likely French. Possibly Breton? Amazing colours. Coarse canvas. Artsist unknown. Initial A.D to bottom left. Presented i...
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    Vintage 1950s French Folk Art Paintings

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  • Collioure, South of France. Rudolph Ihlee ( NEAC ) 1928
    By Rudolph Ihlee
    Located in St Annes, Lancashire
    Wonderful painting of a house and garden. Probably Collioure in the South of France Attributed to Rudolph Ihlee NEAC*. He lived in Collioure, South of France during this period. The painting is insrcibed on the back of the card. See the image. It has since been covered in the re-framing process. Great palette and technique. In the style of Paul Nash Oil on card attached to board. Unframed. It has beed re-framed using a vintage frame. The measurement below is the frame size *Born London 1883-1968 Slade School 1906-1910. Regarded as a brilliant student Became a member of NEAC - New English Art Club. 1919 Exhibited at Leicester Galleries and Chenil Gallery etc Many galleries hold his work namely Manchester City, Sheffield, Belgrave, Victoria And Albert Museum, Cecil Higgins etc. Life long friendship with Charle Rennie...
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    Vintage 1920s French Other Paintings

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  • Antique Watercolor of Golden Eagles, 19th Century
    Located in St Annes, Lancashire
    A beautiful watercolor of golden eagles On paper laid on to card Late 19th century. Signed indistinctly bottom right Unframed Unrestored co...
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    Antique Late 19th Century English Victorian Paintings

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  • Naive School Oil Painting of a Monk, 17th Century
    Located in St Annes, Lancashire
    Wonderful naive oil painting of a monk Great muted colors in unrestored condition Oil on canvas. No stretcher. There is another religious painting on the verso Unsigned. Art...
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    Antique Late 17th Century Dutch Renaissance Paintings

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  • Impressionist Portrait Painting of a Bohemian Woman Budapest 1925
    Located in Rochester, NY
    Bohemian woman Budapest, Hungary 1925 by Bertha De Hellebranth. Fabulous period painting brings to life the bohemian intelligentsia of Europe in the 1920's. I believe the painting is of the artists sister Elena Maria De Hellebranth. Both sisters were accomplished artist and worked and exhibited together. See the photo of the sisters Elena on the left and Bertha on the right. Oil on canvas. In a period frame. Signed lower right. Inscribed on reverse. Provenance: label from Newman Galleries Philadelphia. BIOGRAPHY ; Bertha de Hellebranth and her sister Elena were born into a cultured upper-class family in Budapest, Bertha in 1899, Elena in 1897. Their father was a lawyer and their mother a student of Franz Liszt's last living pupil. Both sisters showed artistic potential early, beginning to paint at four or five years of age. Their parents encouraged them, and had the means to send them to the best art schools of the time. They studied at the Academy of Fine Art in Budapest, at the Académie Julian and the Académie de la Grande Chaumière in Paris, and painted portraits of European nobility. As Patricia Fazekas points out, "Growing up in a family of privilege, they seemed to have unusual access to many illustrious people." So we should not be surprised to find among their subjects members of high society, such as Count Andrássy Gyula, the Russian-born Princess Baby Galitzine, and Admiral Horthy Miklós, the Regent. Later on, their subjects included American heiress Gladys Vanderbilt (Countess László Széchenyi), President Theodore Roosevelt's granddaughter Paulina Longworth and former President Dwight D. Eisenhower.Often, the sisters would paint the same subject at the same time, offering the sitter a choice of portraits. Most often, the sitter wanted both renditions.While Elena concentrated on working in oil and watercolor, Bertha used gouache and oil to achieve her effects. Elena gave lectures and workshops, was a writer and also wrote popular and ecclesiastical music, while Bertha also went in for sculpture and handicrafts.From the mid-thirties until World War II, Bertha and Elena divided their time between their home in Budapest and a home on the ocean at Ventnor, NJ. In 1925, they showed their work at the Nemzeti Szalon in Budapest, and in 1926, they had a joint exhibition of their portraits in the US. Both exhibited their work at the Art Institute of Chicago, the Brooklyn Museum of Art, the Pennsylvania Academy of Fine Arts and most major museums and galleries in the US. Bertha also had exhibits at the Metropolitan Museum of Art. Both Bertha and Elena were Fellows of the Royal Society of Art (London), and garnered numerous prizes. Bertha was awarded First Prize by the National Academy of the American Water Color Society one year, and the Grand Prize of the Audubon Society. She was one of the founders of the now defunct World League of Hungarian Artists Abroad (Külföldi Magyar Képz?m?vészek Világszövetsége), and received a Gold Medal from the Cleveland Árpád Akadémia in 1963. (Elena also received the Akadémia's gold medal in 1965.) Their work is found in museums and galleries too numerous to mention.The de Hellebranth sisters were devout Catholics, and this is evident in their many portraits of clerics...
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