Simon Saint Jean Oil on Canvas Still Life with Fruits, circa 1830-1840

Still Life with Fruits, oil painting on canvas, Germany 1950s An impressive Biedermeier style still life painting depicting diverse fruits like plums, grapes or peaches. Painted in ...

Nineteenth century. Still life with fruits. Oil on canvas, 64 x 52 cm. The still life analyzed presents a mixture of floral and fruit elements arranged in a circular order o...

Danish flower painter. Oil on canvas. Still life with flowers and fruits, late 19th century. The canvas measures: 37 x 32.5 cm. The frame measures: 6.5...

An exceptionally fine quality example of an elaborately framed English Still Life of fruits Oil Painting on canvas, in the style of Oliver Clare or Eloise Harriet Stannard, second qu...

Still life artwork, oil painting on canvas, Flower Pot With Roses And Fruits. Still life painting rich and colorful. Art Déco. The painting expresses the fashion of the late nineteenth and early twentieth centuries. Probably inspired by Russian painting. More precisely in the thirties of the twentieth century and a signature not easily translatable, in fact, on the back of the work on the frame there is a name that probably refers to the author, Vladimir Alexandrovich Kutum. The painting bears a handmade frame in shaped, pinstriped and gilded wood from the contemporary era. This still life, oil painting on canvas dates back to the first half of the twentieth century, Art Deco...

Paolo Paoletti (Padua, 1671 - Udine, 1735) Still Life with Fruits on a Shelf Oil on canvas, 53.5 x 81 cm Expert opinion Dr. Gianluca Bocchi The still life in question is referable to the hand of Paolo Paoletti (1671 - 1735). Born in Padua, but settled in Udine when he was not yet twenty, the artist was hosted here for many years at the Caiselli counts, in whose palace an entire room was decorated with his works. Between 1708 and 1715 he appears in the Fraglia dei pittori di Venezia, for which he paid the registration in 1712. The stay in Venice was of a certain importance for his artistic maturation, since he was able to frequent the stimulating international circles of the Lagoon. His allegories of the seasons and still lifes were mostly intended for the wall decorations of Friulian stately homes among which the Attimis, the Concina, the Giacomelli, the Morelli de Rossi, the del Torso and the Valentinis are mentioned. These compositions mainly depicting edible kinds such as vegetables, fruit, meats and cheeses were often enriched with flowers and sometimes framed by architectural backdrops or landscape backgrounds. The marked descriptive taste that characterizes them is similar to that of the samples of Bartolomeo Bimbi...