Hand-Crafted Paintings

19th century oil painting of yorkshire flither pickers by robert farren circa 1890. Painted by robert b. Farren (1832-1912) This is a a skilfully executed and coloured oil painting...

George Vempley Burwood British (1844-1917) signed and dated. Sailing ship, schooner diorama shadow box with figures and painted background.

A late 19th Century hand painted mature portrait in a bone and Bronze frame with velvet backing and bronze twig like stand. An impeccable piece and lovely on the desk or shelf. A w...

An Oil on Canvas painting of an old mill in the English Countryside near Keniworth . By a well known English Oil painter of that time . The frame is original with cracks and small p...

19th century, one of a kind, oil painting in a more modern, golden colored wooden frame. We know that in the 19th century many renowned European artists went on 'study trips' to all parts of the globe and many of them loved the totally different world they would find there. They were so inspired by what they witnessed in these totally different cultures that some of them created their best ever work in that period. This beautiful painting has a lot going for it and we especially love the colors and the lightness of this Arab or possibly North African composition. Besides that, this wonderful painting also tells a story. One of a traveling man having to protect his spous against, what look to be, two desert robbers on horses. You can imagine the fear that this would give a woman with a small child, being so far away from everything and literally in the middle of nowhere. Many of the details are incredibly well painted, but we particularly love the way the stunning camel is portrayed, but also the clothes of the people and the serene face of the small child are marvelous details to look at. Unfortunately we don't know who painted this work of beauty, but we would not be surprised if there are connoisseurs out there that do. One of the most difficult things in interior design, we feel, is decorating the walls. We are no specialist in selling antique paintings, but whenever we get a chance to purchase a beautiful hand-painted oil on canvas from the Victorian era then we always try to acquire it. Especially when the details and colors are as good and vibrant as in this 19th century painting. The fact that there is some type of 'action' going on too lifts it above the average. This Arab subject matter also is very rare and besides the folds in the painting (where the inner edges of the frame underneith are), this antique work of art truly is in superb condition and a gem to behold. To us, this is the perfect painting for an eclectic interior or for anyone with an Arab or Moroccan Style (inspired) interior. If you like the look and feel of this fine quality, antique Victorian era painting...

Antiqued Massive Ornate Gold Gilded Framed "The Dinner Party" Oil on Canvas Circa 1940 Dimensions: with frame H 64" W 87" D 5" Introducing Elegant "The Banquet Scene" Artwork i...

Here we have a Robert Mcgregor (1848-1922) painting illustrating peasant life. This is a well-balanced oil on canvas revealing a french country village...

We are delighted to offer for sale this very large stunning original late 19th century Flemish oil painting, stamped to the rear Jean...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original 1882 dated Frederick George Cotman oil painting of a blacksmith A well good looking and well made high Victorian painting, this really offers a window into another time and place Frederick George Cotman (14 August 1850 Ipswich–1920) was an English painter of landscapes, portraits and interiors and a member of the Norwich School of painters Frederick was born into the Cotman family of artists. His parents were Henry Edmund Cotman (1802–1871), formerly a Norwich silk merchant and his wife Maria Taylor (1813–1895). His elder brothers, Henry Edmund Cotman (1844–1914), and Thomas Cotman (1847–1925) were born in London before the family moved to Ipswich. Frederick was born at 186 Wykes Bishop Street, Ipswich in 1850 and was the youngest child of the family. He was the nephew of John Sell Cotman and the cousin of John Joseph Cotman and Miles Edmund Cotman. He was a private pupil of William Thomson...

PRESENTING A GORGEOUS and HIGHLY DESIRABLE 19C Oil on Canvas Highland Rovers at Loch Earn by HR Hall. Circa 1890-1900 and painted by Henry Robinson Hall, ...

We are delighted to offer for sale this stunning original Dutch oil painting of an elderly man in a winter scene by R Tuiy A very good looking and decorative oil painting, this is ...

We are delighted to offer for sale this absolutely exquisite, original Howard & Son’s Berners Street, fully stamped, Artists Easel which can display two paintings and is adjustable A very well made and decorative piece from the geniuses that were Howard & Son’s. I’ll include a bit about the company below if you are unfamiliar. This piece is very utilitarian in the world of easels, it can display two paintings at once, the round knobs which the paintings sit on are removable and height adjustable, you can see it offers 13 different positions Condition wise it has been deep cleaned, hand condition waxed and hand polished from top to bottom, there will be normal age and use related patina marks here and there Dimensions Height:- 171cm Width:- 47.5cm Depth:- 55cm Please note all measurements are taken at the widest point A History of Howard and Sons The name of Howard and Sons is probably one of the best known and highly sought-after names in Upholstered furniture. Over the next few paragraphs, I will do my best to give you a brief history of the company. The company was started by John Howard in 1820 trading from 24 Leman St, London as a Cabinet Maker. Over the next 25 years they would make several changes of premises within the Whitechapel area. First to 27 Great Alie St (Now just Alie St) before moving a short distance to 34 Great Alie St. In 1844 the company made its first venture into upholstered furniture by opening a showroom/workshop at 36 Red lion St. This was also to be a big move towards what would be their next and most famous location. In 1848 they moved to a new address much more accustomed with the name; Berners St. London as “Cabinet Maker, Upholsterer and Decorator” under the name John Howard and Sons. The business seemed to boom at this location with workshops opening up at Tottenham St, Charlotte Mews and Fitzroy Sq and an expansion to a second Berners St building in 1853. In 1869 the company consolidated its many workshops into the one building on Cleveland St. By 1872 the company was occupying 25, 26 and 27 Berners St. These adresses would remain unchanged until 1935. During this period they became a limited company in 1899 and won the first of their Royal warrants in 1901. In 1935 the the well-established decorators Lenygon and Morant...

From an important thirty year old New England collection of American Folk Art Pyrography Robert Ball Hughes (British-American, 1804-1868) This original period framed 1866 pyrography on wood panel was created after the painting by Sir John Gilbert (English, 1817-1897) with detailed description and dedication written on the back of the panel using the same technique. A photographed rubbing of the reverse dedication will be included and is part of this description (photo). Frame: 20 inches high and 28.5 inches wide; Site: 13.25 inches high and 22 inches wide This painting depicts the episode from Shakespeare’s Henry VI Part II Act III Scene V in which Sir John Falstaff inspects the recruits mustered by Justice Robert Shallow and his cousin Silence. Falstaff sits in a chair surrounded by his cronies whilst Bardolph leads Bullcalf forward. Hayman’s treatments of Falstaff reviewing recruits are perhaps among the most successful depictions of a theatrical scene in British painting. The tableau vibrates with the energy that he brought to his Vauxhall supper box scenes of games and dancing, and is filled with the humour and observation of his portraiture. Every figure is in motion and proclaims its own individuality. About Robert Ball Hughes (British-American, 1804-1868) Known as Ball Hughes and also using that as a signature, this man was a sculptor and wax-portrait artist. He was born in London, England, and died in Dorchester, Massachusetts. He studied and exhibited at the Royal Academy in London as well as at the Pennsylvania Academy of the Fine Arts and the National Academy of Design in New York City. He emigrated to New York in 1829, having earned much prestige in England. In New York, he received many commissions for portrait busts in bronze and wax. Among his subjects were John Trumbull, Alexander Hamilton, and Washington Irving. From 1838 to 1840, he worked in Philadelphia and from 1840, worked in Boston. In his final years, he began to produce pyrographic wood pictures (pyro engravings or "poker pictures"), including The Witches of MacBeth (c. 1840), Babylonian Lions (1856), Don Quixote in His Study (1863), The Trumpeter (1864), General Grant...

Miniature portrait of a beautiful young lady in a bone frame with a repoussé inner gilt brass filet. The portrait is hand painted on bone and retains its original crown glass. (This...

This antique original oil painting on canvas was done by James Edwin Meadows, a known British artist, in approximately 1860 in the period Victorian style. The painting depicts an Eng...

We are delighted to offer for sale this lovely pair of late Victorian watercolors signed H Brock and dated Apr 1894 The first is titled “An Uninvited Guest” and the second “A Lion...