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Large Antique Italian School, 'Roman Charity', Oil on Canvas Painting

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  • Large Original Oil on Canvas, Painting of Italian Village, Italian School 1700s
    Located in Round Top, TX
    Large original oil on canvas painting of Italian village with mountains in background, 6' long (measured at frame). Italian school circa 1700s. Impressive in Size and detail this w...
    Category

    Antique 18th Century Italian Paintings

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    Canvas, Wood, Paint

  • Original Oil On Canvas Large Allegorical Painting, Italian School 1750-1800
    Located in Round Top, TX
    Original large oil on canvas allegorical scene from Italy with vivid colors. Note the Pegasus, ten figures, and use of lute, lyre and flute. Condition: Age related craquelure throug...
    Category

    Antique 18th Century Italian Paintings

    Materials

    Canvas, Wood, Paint

  • Original Oil On Canvas Allegorical Scene, Italian School circa 1800
    Located in Round Top, TX
    The colors remain vivid in this original oil on canvas painting of allegorical scene, Italian School, circa 1800. Condition: Age related craquelure and peelings throughout, hole (between trees), old repairs. Remains of red paper (perhaps from board?) are adhered to sections of the backside of canvas. Canvas may benefit from light cleaning which we leave to discretion of buyer. Please refer to professional photos for clear understanding of color, condition and details; photo lighting, individual monitor display and home lighting may all impact how item is viewed. With over 37 years of experience selling European antiques, our brick-and-mortar storefront, Round Top Ranch Antiques...
    Category

    Antique 19th Century Italian Paintings

    Materials

    Canvas, Wood, Paint

  • Large Original Oil on Canvas Antique Painting of Boy & Cows, Signed P. Steffenso
    Located in Round Top, TX
    This large original oil on canvas painting portrays a boy in the field with cows. Look closely at the boy, who appears to be whittling a stick with a knife while he looks over the grazing cattle. It is not surprise that the painter is known for his realistic landscapes and animal paintings. Poul...
    Category

    Early 20th Century Danish Paintings

    Materials

    Canvas, Paint

  • Original Oil on Canvas Painting, Bouquet of Flowers from I.L Jensen School, 19th
    Located in Round Top, TX
    This delightful floral painting showcases vibrant colors of white, blue and red. Unsigned oil on canvas, I.L. Jensen's school, 19th Century. Arrangement with variety of flowers and b...
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    Mid-20th Century Danish Paintings

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    Canvas, Paint

  • Antique Original Oil on Canvas Painting of a Young Man in Italy, Dated 1834 by C
    Located in Round Top, TX
    Portrait of a young man, attributed to Carl Wagner (1796-1857). This original oil on canvas portrait of a young gentleman with a cigar reveals Mount Vesuvi...
    Category

    Antique Early 19th Century Danish Paintings

    Materials

    Canvas, Paint

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  • Early 17th Century Roman School Praying Madonna Painting Oil on Canvas
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    Roman school, late 16th-early 17th century Praying Madonna Oil on canvas, 81 x 69 cm Frame 83 x 95.5 cm A divine whiteness reverberates with vibrant luster on the maphorion of the present Virgin. The palpable iridescence that structures the thin rosaceous garment, woven with the same fresh light, produces a slight rustle when she takes her hands off. The Madonna in fact takes a prayerful pose, opening her palms to underline her fervent ecstatic intention; the white neck is rendered with perishable fullness of pigments, like the hands, perfectly alive, and the very shiny eyes. With fine shrewdness the artist of the present styles the Virgin's hair with thin white ribbons, exacerbating the purity. An evocative light falls gently on the bust, a materialized sign of divine glory. The present can be traced back to the late Mannerist climate that prevailed in the capital after the emanation of the Tridentine council (1545-1563). The late Mannerist licenses that can still be seen there, such as the intense lyricism in the stylistic code adopted by the artist, are innervated in the new basic catechetical intent, which at the end of the century produced a certain figurative rigorism. The present, however, still responds to that extraordinary Roman dynamism that raised the capital to a bulwark for the entire mannerist lesson, matched only by a second artistic center, the Florentine one. The engaging carriage of the Virgin reflects the contemporary examples of Giuseppe Valeriano (1542-1596), a Jesuit painter, returning in the Marriage of the Virgin of the Roman Church of Jesus, as well as in the Madonna of Sorrows in the Recanati Altarpiece, equal ardor. But it is in the Assumption of the Virgin painted in four hands with Scipione Pulzone...
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  • Large Scale Italian Oil on Canvas Painting
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