Lillian Gorbachincky Blue Scapes, 2020
View Similar Items
1 of 4
Lillian Gorbachincky Blue Scapes, 2020
About the Item
- Creator:Lillian Gorbachincky (Artist)
- Dimensions:Height: 60 in (152.4 cm)Width: 57 in (144.78 cm)Depth: 2 in (5.08 cm)
- Style:Modern (In the Style Of)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:2021
- Production Type:New & Custom(One of a Kind)
- Estimated Production Time:1-2 weeks
- Condition:
- Seller Location:US
- Reference Number:1stDibs: LU5948226167642
You May Also Like
- Floyd Kuptana Jolly Rider Contemporary Inuit Painting, 2020Located in Montreal, QCJolly Rider is an original, one-of-a-kind, acrylic on canvas contemporary Fanciful Inuit painting. Vibrant pops of color work in harmony to create this unique, contemporary work of art by Floyd...Category
2010s Canadian Modern Paintings
MaterialsCanvas
- "Oneness" by Vanessa Joy, 2020Located in Westport, CTTitle: Oneness Artist: Vanessa Joy Medium: Acrylic on canvas Subject matter: Abstract art Size: 36 x 36 inches Oneness is an expressionistic pattern...Category
2010s American Mid-Century Modern Paintings
MaterialsCanvas, Acrylic
- "Damay" by Vanessa Joy, 2020Located in Westport, CTTitle: Damay Artist: Vanessa Joy Medium: Acrylic on canvas Subject matter: Abstract Art Size: 36 x 36 inches The painting Damay depicts the movement...Category
2010s American Mid-Century Modern Paintings
MaterialsCanvas, Acrylic
- Richard Hirsch Encaustic Painting of Nothing #63, 2020By Richard A. HirschLocated in New York, NYContemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #63 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...Category
21st Century and Contemporary American Modern Contemporary Art
MaterialsClay, Organic Material
- Richard Hirsch Encaustic Painting of Nothing #78, 2020By Richard A. HirschLocated in New York, NYContemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #78 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...Category
21st Century and Contemporary American Modern Contemporary Art
MaterialsClay, Organic Material
- Richard Hirsch Encaustic Painting of Nothing #62, 2020By Richard A. HirschLocated in New York, NYContemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #62 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...Category
21st Century and Contemporary American Modern Contemporary Art
MaterialsClay, Organic Material
Recently Viewed
View AllMore Ways To Browse
Jerry Bywaters
Poodle Portrait
Joseph Conrad Ferm
Maxine Snider
Hanging Mallard
Painting Titled Red Chair
Nathan Hale Furniture
Native American Ledger Painting
Sean Anderson
Retro Penguin Book Covers
Beacon Hill Collection Furniture Antique
Xu Beihong
Breanski Jr
Christian Berard Painting
Christ Carried To The Tomb
Douglas Peden
Pierson Modern
Jessica Rabbit Vintage