Items Similar to Virgin Mary with Child, Italy, 1890
Want more images or videos?
Request additional images or videos from the seller
1 of 21
Virgin Mary with Child, Italy, 1890
About the Item
Delicate portrayal of a classic theme of Christian fervour. The painting represents the most depicted motherhood in the history of art. The Madonna with the baby Jesus on her lap. The painting on wood by an anonymous Tuscan painter is appreciated for its transfigured realism and skilful brushwork.
- Dimensions:Height: 20.87 in (53 cm)Width: 16.54 in (42 cm)Depth: 0.79 in (2 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1890
- Condition:Wear consistent with age and use.
- Seller Location:Budapest, HU
- Reference Number:1stDibs: LU3266331600472
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
1,052 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Budapest, Hungary
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Boats in Portofino. Italy, 1920Located in Budapest, HUBoats in Portofino. The artist's signature is not legible but the painting shows an Impressionist influence in the luminous vibration of the water.Category
Vintage 1920s Italian Paintings
MaterialsCanvas
- "Christmas Stars" by Guido Borgianni. Italy, 1960Located in Budapest, HUGuido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...Category
Vintage 1950s Italian Paintings
MaterialsCanvas
- Landscape in Autumn by Guido Borgianni, Italy, 1950Located in Budapest, HUGuido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...Category
Vintage 1950s Italian Paintings
MaterialsCanvas
- Arno River in springtime by Guido Borgianni Italy. 1950Located in Budapest, HUGuido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...Category
Vintage 1950s Italian Paintings
MaterialsCanvas
- "Dolce vita" in Florence by Guido Borgianni. Italy, 1960Located in Budapest, HUGuido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...Category
Vintage 1950s Italian Paintings
MaterialsCanvas
- Christ on the Cross and His Mother After the Deposition, Italy, 18th CenturyLocated in Budapest, HURare Double painting on canvas. On the framed side a refined representation of the crucifix, on the other a depiction of the Virgin Mary holding the...Category
Antique 1720s Italian Paintings
MaterialsWood
You May Also Like
- Virgin Mary with Child, 1940Located in Roma, ITVirgin Mary with Child is a reproduction of Madonna del Libro, Sandro Botticelli, realized in Italy in 1940s. Border and fringe in fabric. Brass...Category
Vintage 1940s Italian Decorative Art
MaterialsFabric
- 18th century French school, Virgin Mary and Jesus Child painting after RaphaelLocated in GRENOBLE, FRLate 18th century or early 19th century French school, antique painting featuring the Virgin Mary holding Jesus Child, Saint John the Baptist around. Our work has been painted using ...Category
Antique Late 18th Century French Renaissance Paintings
MaterialsCanvas, Paint
- Beautiful Italian School "Virgin and Child" late 19th Century with VideoBy Europa AntiquesLocated in Madrid, ESBeautiful Italian School "Virgin and Child" late 19th Century Oil painting on canvas, Dimensions: 50x57 cm including frame, good condition for the ageCategory
Antique Late 19th Century Italian Baroque Paintings
MaterialsPaint
- 17th Century Italian Madonna /Virgin Mary Oil on CanvasLocated in Doha, QAMagnificent Italian 17th century Portrait of Virgin Mary measures 52 x 68 cm without the frame. The colors are stunning and the painting has never been restored. The Master unfortun...Category
Antique 17th Century Italian Baroque Paintings
MaterialsCanvas
- 17th Century Oil on Canvas Italian Religious Painting Virgin with Child, 1630Located in Vicoforte, PiedmontAntique Italian painting from the 17th century. Oil on canvas framework depicting a religious subject Virgin with child of good pictorial quality. Painting of great measure and impac...Category
Antique 1630s Italian Paintings
MaterialsCanvas
- 18th Century Oil on Canvas Italian Antique Religious Painting Virgin with ChildLocated in Vicoforte, PiedmontAntique Italian painting from the late 18th century. Virgin with child in Byzantine style of great character and good pictorial hand. Oil painting on canvas with wooden frame not coe...Category
Antique Late 18th Century Italian Paintings
MaterialsCanvas
Recently Viewed
View AllMore Ways To Browse
Tuscan Paint
Child Jesus
Virgin Mary Painting
The Virgin Mary Painting
Painting Of Virgin Mary
Jesus With Child
Vintage Jesus Painting
Virgin Mary And Jesus
Virgin Mary With Child
Jesus Baby Painting
Painting Of Baby Jesus
Virgin Mary Wood
Virgin And Child Wood
Jesus Christian
Virgin Mary Vintage Art
Mary Baby Jesus
Mary And Baby Jesus
Baby Jesus Vintage