Art Glass Photography
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Material: Art Glass
Memory Series #02
Located in Sint-Gillis, BE
Memory #02
2023
Photographic prints, handmade wooden frame
Dimensions: 44 x 34 cm
Edition of 30
One day, some years ago, we decided to always bring an old camera with us. We took ra...
Category
2010s Italian Art Glass Photography
Materials
Art Glass
Memory Series #04
Located in Sint-Gillis, BE
Memory #04
2023
Photographic prints, handmade wooden frame
Dimensions: 34 x 44 cm
Edition of 30
One day, some years ago, we decided to always bring an old camera with us. We took ra...
Category
2010s Italian Art Glass Photography
Materials
Art Glass
Memory Series #01
Located in Sint-Gillis, BE
Memory #01
2023
Photographic prints, handmade wooden frame
Dimensions: 44 x 34 cm
Edition of 30
One day, some years ago, we decided to always bring an old camera with us. We took ra...
Category
2010s Italian Art Glass Photography
Materials
Art Glass
Memory Series #07
Located in Sint-Gillis, BE
Memory #07
2023
Photographic prints, handmade wooden frame
Dimensions: 34 x 44 cm
Edition of 30
One day, some years ago, we decided to always bring an old camera with us. We took ra...
Category
2010s Italian Art Glass Photography
Materials
Art Glass
Memory Series #05
Located in Sint-Gillis, BE
Memory #05
2023
Photographic prints, handmade wooden frame
Dimensions: 34 x 44 cm
Edition of 30
One day, some years ago, we decided to always bring an old camera with us. We took ra...
Category
2010s Italian Art Glass Photography
Materials
Art Glass
Memory Series #03
Located in Sint-Gillis, BE
Memory #03
2023
Photographic prints, handmade wooden frame
Dimensions: 44 x 34 cm
Edition of 30
One day, some years ago, we decided to always bring an old camera with us. We took ra...
Category
2010s Italian Art Glass Photography
Materials
Art Glass
Metal Framed Film Photography of Roman Architecture Wall Art
Located in Milano, IT
An original limited edition enlarged film print of Rome made in 2020. Framed in thin aluminum and zero glass for a modern meets old look. Photograph taken by interior designer and artist Mallory Kaye.
Category
Late 20th Century Italian Art Glass Photography
Materials
Aluminum
Gene Autry, Eddie Dean and Lash Larue SignedStudio Photographs
Located in Coeur d'Alene, ID
Three 8" x 10" studio photos of Gene Autry, Eddie Dean and Lash Larue all with original signatures.
PERIOD: Mid 20th Century
ORIGIN: Hollywood
SIZE: 8" x 1...
Category
Mid-20th Century American Art Glass Photography
Materials
Art Glass
Framed and Signed Photograph of Buck Jones
Located in Coeur d'Alene, ID
Matted and framed photo of Buck Jones with note "Best Wishes Buck Jones and Silver."
Period: Last half 19th century
Origin: California
Size: 5" x 7" frame 13" x 15"
Family Owned & Operated
Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho.
Personal Service
Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source.
Black and white, films...
Category
Late 19th Century American Antique Art Glass Photography
Materials
Art Glass
Framed and Signed Photograph of Jerry McCree and Junio
Located in Coeur d'Alene, ID
Signed studio photo with original signature "To Claire - In appreciation of all you have done. Your two friends - Jerry McCree and Junior".
Period: First half 20th century
Origin: H...
Category
1910s American Vintage Art Glass Photography
Materials
Art Glass
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Artificial Paradises
Paradise is an enclosure created by man. It is a place of perfection in nature, of reconciliation with our origin, of serenity towards our near reality. Paradises are there, waiting for us. We earn them sometimes, and some other times we are expelled from them and then their very existence becomes a reproach. Paradises are not ephemeral, though. All that belongs to Nature is ephemeral and boundless at the same time. It remains until the infinite and returns to the beginning to wither again and so on, over and over. Paradise escapes us, it slips out in our imagination of what it is. It disappears and then, just like everything we cannot hold, like everything vanishing away from our desire for grasping, it must be replicated, frozen in time, imitated at best, never to be lost again. We contemplate it in all its confines, we study it and scrutinise all its forms, line by line, each with different colours and nuances. We thus hold on to the ephemeral, we stop its decadence, we perpetuate beauty in our urge to negate its own death.
The paradise reverts to the logic of the quest. Maybe the last voyage ever to be undertaken is that of defining a paradise through sheer technical mastery, through the use of an apparent wisdom, a meticulous ability to reproduce reality: to create some sort of artificial paradise, a world where everything is reproducible and interminable, and so all appears at last to be perfectly docile and tame. To believe in the absolute harmlessness of such a paradise. And very likely to open up an abyss afresh, a new irony (tragic o comic or perhaps both at the same time) about each petal of each of its artificial flowers, made in the image and according to the likeness of reality.
Artificial Paradises intends to be a very own and concrete paradise in a very specific location. The tradition of reproduction/imitation in Asia forms part of its culture. The tenacious aim for perfection, or for the idea of perfection held about things, blurs the confine between what is and its perfect imitation. In Asia the electric colours of the artificial plants...
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