Original Photograph of Model in the Woods by Bruce Weber for Karl Lagerfeld 2

Photograph by Bruce Weber, Karl Lagerfeld advertisement, 1985. Original silver gelatin print from Lagerfeld’s studio ex-collection Eric Wright – Lagerfeld’s right hand man in the 198...

Photograph by Bruce Weber, Karl Lagerfeld advertisement, 1985. Original silver gelatin print from Lagerfeld’s studio ex-collection Eric Wright – Lagerfeld’s right hand man in the 198...

Sepia photograph by Bruce Weber, Karl Lagerfeld advertisement, 1985. Original silver gelatin print from Lagerfeld’s studio ex-collection Eric Wright – Lagerfeld’s right hand man in t...

Original silver gelatin print from Lagerfeld’s studio ex-collection Eric Wright – Lagerfeld’s right hand man in the 1980s-90s. Label and production numbers to the reverse. Circa: 199...

1st or 2nd Chanel shoot in Deauville by Karl Lagerfeld Original silver gelatin print from Lagerfeld’s studio ex-collection Eric Wright – Lagerfeld’s right hand man in the 1980s-90s. ...

Original silver gelatin print from Lagerfeld's studio ex-collection Eric Wright - Lagerfeld's right hand man in the 1980s-90s. Framed at Lagerfelds favorite framer, American art on ...

Presenting an iconic original black and white photograph featuring the legendary members of The Rolling Stones during their "Steel Wheels" world tour in 1989. This historic image captures the essence of rock 'n' roll with Keith Richards, Mick Jagger, Bill Wyman, and Ronnie Wood in the spotlight. The photograph is a large archival rag print, part of a limited edition of 10, and bears the artist's signature on the bottom. Renowned photographer John Stoddart, celebrated for his portraits of numerous famous figures, including Pierce Brosnan, Carla Bruni, Michael Caine, Anthony Hopkins, Jude Law, Arnold Schwarzenegger, and Catherine Zeta-Jones, has skillfully immortalized this iconic moment in rock history. Hailing from Liverpool and a former Grenadier Guard...

Presenting an original black and white photograph captured in the 1980s by Liverpudlian photographer John Stoddart, featuring the iconic Liverpool band, Frankie Goes To Hollywood. This signed print, produced in 2008, is a testament to the band's era-defining presence in the music scene. The photograph captures Holly and Paul, members of the band, adorned in leather S & M attire, confidently posing for the camera. This striking image, recently featured in the National Museums Liverpool Pride & Prejudice LGBT+ collection, offers a glimpse into the bold and unapologetic side of self-expression within the LGBTQ+ community. This photograph, part of a limited edition of 10, is a large archival rag print, with the artist's signature adorning the bottom. John Stoddart, renowned for his portraits of famous personalities, skillfully captures the essence of this historic moment. Hailing from Liverpool and a former Grenadier Guard...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

Introducing an original black and white photograph featuring the iconic Iggy Pop, captured by celebrated photographer John Stoddart in 1999. This strikin...

From an important 25 plus year collection of Male Physique and Beefcake photography, image # 7 of handsome male model Bill Gregory. Printed in the 1960s and are all signed by the studio on verso when Mr. Bruce Bellas aka Bruce of LA was alive. Beautifully, professionally framed. Double white mat and simple black frame. All original photos are 8 x 10. Framed 16.50" W x 19" H. Please see other listings for more photographs from this collection available for sale for the 1st time. These listing photographs are very hard to shoot under glass. They are sharp, clear photographs printed the old fashioned way, by hand in the late 50s and early 60s. BIO: Bruce Harry Bellas (July 7, 1909 – July 1974) was an American photographer. He was influential in his work with male physiques and nudes. Bellas was well known under the pseudonym Bruce of Los Angeles. History and influence Bruce Harry Bellas was born in Alliance, Nebraska on July 7, 1909. He worked as a chemistry teacher there until 1947, when he began photographing bodybuilders in Los Angeles, California, beginning with taking pictures of bodybuilding competitions. In 1956, Bellas launched his own magazine, The Male Figure. Among physique photographers, Bellas' work was noted for having a distinctly campy, tongue-in-cheek sensibility. Bellas also produced a number of early homoerotic 8 mm films with titles such as Cowboy Washup and Big Gun for Hire. Bellas was known to travel around the country, finding new models to photograph and also personally delivering nude photographs to customers, since they were liable to be seized by postal inspectors if sent through the mail. An extensive archive of Bellas' nude male physique...

From an important 25 plus year collection of Male Physique and Beefcake photography, iconic image of masculine male model holding metal chain.. Printed in the 1960s and are all signed by the studio on verso when Mr. Bruce Bellas aka Bruce of LA was alive. Beautifully, professionally framed. Double white mat and simple black frame. All original photos are 8 x 10. Framed 16.50" W x 19" H. Please see other listings for more photographs from this collection available for sale for the 1st time. These listing photographs are very hard to shoot under glass. They are sharp, clear photographs printed the old fashioned way, by hand in the late 50s and early 60s. BIO: Bruce Harry Bellas (July 7, 1909 – July 1974) was an American photographer. He was influential in his work with male physiques and nudes. Bellas was well known under the pseudonym Bruce of Los Angeles. History and influence Bruce Harry Bellas was born in Alliance, Nebraska on July 7, 1909. He worked as a chemistry teacher there until 1947, when he began photographing bodybuilders in Los Angeles, California, beginning with taking pictures of bodybuilding competitions. In 1956, Bellas launched his own magazine, The Male Figure. Among physique photographers, Bellas' work was noted for having a distinctly campy, tongue-in-cheek sensibility. Bellas also produced a number of early homoerotic 8 mm films with titles such as Cowboy Washup and Big Gun for Hire. Bellas was known to travel around the country, finding new models to photograph and also personally delivering nude photographs to customers, since they were liable to be seized by postal inspectors if sent through the mail. An extensive archive of Bellas' nude male physique...