Moorish Photography

- Rare photograph of "The Lost Prince", Prince John - Clear, bold and rare example of his autograph Prince John (1905-1919) was the youngest son of Q...

Bruce Weber by Bruce Weber. Published by Twelvetrees Press, Los Angeles, 1983. Stated 1st Limited Edition (1/5000) hardcover with dust jacket. Beautifully illustrated with over 50 full-page photogravure plates of male models and actors, a few tinted with halftone colors. Contains subjects: Brothers, Matt...

Presented is a rare, platinum Master Exhibition Print of Edward Curtis’ The Three Chiefs. Typical of Curtis’ Master Exhibition Prints, this platinum print is double-mounted, signed, with an embossed copyright credit and date stamp. His numeric notation “52-00” is in the photographic negative. Curtis photographed The Three Chiefs during his two weeks on a Blackfoot reservation in the summer of 1900. The photograph depicts three Piegan men in traditional dress on horseback, situated next to a small stream with an expansive cloud-filled sky behind them. The Piegans were the largest group in the Blackfoot Confederacy and still retained a majority of their original culture when Curtis visited the tribe. It reportedly took Curtis several days to find the perfect prairie backdrop and riders for this photo, yet his patience paid off. The image was pivotal in enabling Curtis to form his vision for his next project - his ambitious 20 volumes “North American Indian”publication. This print is believed to be one of only three oversized, platinum Master Exhibition Prints of this image in existence. It was printed by Curtis specifically for his East Coast exhibition tour of 1905-1906. Curtis chose only a small number of what he believed to be his finest negatives to produce prints for the show. He never again mounted an exhibition of his work, nor produced such distinctive, large-format platinum prints. “The extraordinary rarity of The Three Chiefs becomes clearer when viewed in the context of other Master Exhibition Prints, principally the 108 in the Peabody Essex Museum in Salem, Massachusetts, the largest collection in existence. The Museum, however, is missing a number of early, iconic images, including The Three Chiefs. It has long been assumed that these missing prints were held elsewhere, possibly in the collection of The New York Public Library. This theory has been substantiated by the Curtis scholar, Bruce Kapson, who unearthed a cache of letters from Curtis to J.P. Morgan and to Morgan's librarian, Ms. Bella da Costa Greene in the Pierpont Morgan Library archives in 2007. The correspondence establishes that 58 of the 100 prints in The New York Public Library's collection are actually Master Exhibition Prints, specifically selected by Curtis for J.P. Morgan as the best examples of his work. A typed letter, dated March 1907, from Ms. Greene to Curtis states: 'I enclose herewith a list of Indian photographs which you sent to Mr. J.P. Morgan'. The letter is accompanied by a handwritten list of 58 photographs, including The Three Chiefs (print number 52.) Morgan donated this group of prints to The New York Public Library in 1912.” (Christie’s Live Auction 1893 Catalog, 2007). Curtis’ platinum prints make up less than 1/2 of 1% of all of the work he created. Curtis’ platinum prints were created only for exhibition or direct sales to patrons and they were always made by Curtis himself. One significant dealer in Curtis prints...

The definitive photographic history of how hip-hop blinged out and redefined the world of jewelry, luxury, and style. Signed black-and-white pigment print on Canson Platine paper, 16 x 20 in.; hardcover volume in a slipcase, 9.8 x 13.4 in., 6.29 lb., 388 pages. Whether it’s diamond-encrusted grills, oversized “truck” style chains, bust-down Rolex and Patek Philippe watches, or a Tiffany necklace, jewelry is a cornerstone of hip-hop culture. Glittering, blinged-out jewels are the shining statement of a collective identity: unapologetic, charismatic, and street savvy. Spanning the history of hip-hop jewelry, from the 1980s to today, Ice Cold: A Hip-Hop Jewelry History is a stunning compilation of storytelling and visuals. Hundreds of extraordinary images of every major hip-hop artist on record celebrate how “ice” has become a proclamation of identity and self-expression. Starting with Run-DMC’s gold Adidas pendants and Eric B. & Rakim’s ostentatious dookie rope chains and Mercedes medallions, the jewelry then transforms from street style into a booming design culture. The hip-hop tradition of “show up and show out” reaches new heights with artists like Pharrell Williams, Jay-Z, Gucci Mane, and Cardi B...

A pair of Biedermeier picture frames hand polished in cherrywood with band inlays all around. The glasses are present in both frames. We can also build mirrors into the frames for yo...

“Spoon” Designed by Mark Diaper, Phaidon Press, 1st Edition 2002 This is the out of print polymer coated Steel version with a cover bent like the silhouette of a spoon. An award winning catalogue showcasing 100 contemporary industrial designers nominated by 10 curators. Spoon covers a vast spectrum of styles, media and work, from kitchen utensils, tools and lighting, to furniture, high-tech products and cars. Each designer is featured over two double-page spreads, illustrated with sketches, models and photographs. A short explanatory text by the selecting curator, and biographical information on the designer are provided. Each curator has also chosen a design ‘classic’ that illustrates the concept of ‘good design’. Publisher ‏ : ‎ Phaidon Press; 1st Printing Edition – September 20, 2002 Hardcover ‏ : ‎ 444 pages ISBN-10 ‏ : ‎ 0714842516 Item Weight ‏ : ‎ 1.1 pounds Dimensions ‏ : ‎ 8.5 in W x 1 in. H x 12 in. L The expected light wear found in used books.

Claude & Francoise - Xavier Lalanne - Paul Kasmin Gallery, New York / Ben Brown Fine Arts, London - 2006 Published by Reed Krakoff, Paul Kasmin and Ben Brown - Stated 1st Edition. Ha...

Vintage, Alpine Ski photograph. 'LIEBE IM SCHNEE', a new mounted black and white photographic image after an original 1930s skiing photograph. Black and white alpine photos are the perfect addition to any home or ski lodge. Prior to being a recreational activity skiing was purely a means of travelling from A to B through the snow, it only started to become the sport it is today in the mid-1800s. 'Liebe im schnee oder: Wie man's macht' or 'Love in the snow or: How to do it'. The price displayed is for the mounted photo only. Image size 25.5cm x 40cm = 10 X 15 ½" ". The alpine photograph...

Vintage Ski Photography, antique Alpine Ski Photograph. 'Descent in Powder’, a new mounted black and white photographic image after an original 1930s s...

Vintage style Photography, framed Alpine Ski Photograph, the lift. 'THE LIFT', a modern framed and mounted black and white photographic image after an original 1930s skiing photogra...

'DESCENT IN POWDER', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The frame is black with burgundy undercoat, the glazing is clarity+ premium synthetic glass. Black & white alpine photos are the perfect addition to any home or ski lodge, so please do check out our other ski photos...

Pair of Art Nouveau picture frames. There's a slight difference in coloration as seen in the photos. They measure 9.5" wide, 4" deep and 11.75" high.