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Johnny Friedlaender Vintage Framed Mourlot Exhibit Poster, Montreal 1973
About the Item
Johnny Friedlaender abstract exhibition poster announcing his works at the Musée d'Art Contemporain, Montréal, December 6 through December 31, 1973. Works exhibited were executed 1950 to 1973.
Featuring an untitled abstract by Friedlaender, 1955, the poster is housed in an ebonized wood frame with an inner gilt border under anti-glare plexiglass. Friedlaender (1923-1992) was a leading 20th century German/French artist internationally recognized and best known for his pioneering use of the technically difficult process of aquatint etching. The poster and frame are in very good vintage condition.
- Creator:Johnny Friedlaender (Artist)
- Dimensions:Height: 29.5 in (74.93 cm)Width: 22 in (55.88 cm)Depth: 1 in (2.54 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1973
- Condition:Wear consistent with age and use. In very good vintage condition.
- Seller Location:Doylestown, PA
- Reference Number:1stDibs: LU6479240264352
Johnny Friedlaender
Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. 1978 brought a retrospective of Friedlaender's works at the Musee d'Art Moderne de la Ville de Paris. He was awarded the Lovis Corinth Prize in Regensburg three years later. On his 75th birthday, Friedlaender was given a retrospective in the Bremen Art Museum. On his 80th birthday he held a retrospective exhibition in Bonn at the municipal council offices. Friedlaender died in Paris at the age of 89.
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"Johnny Gotthard Friedlaender (1912-1992), printmaker and painter, was born in Pless, Prussian Silesia (Germany) on June 21, 1912, the son of a pharmacist. He moved to Breslau in 1921 and, in 1928, he enrolled at the Breslau Art Academy where he attended master classes taught by Otto Mueller, a member of Die Brücke. During his academy years Friedlaender worked in lithography and etching.
In 1930, he moved to Dresden, where his work was included in group exhibitions at Galerie J. Sandel and, in 1936, he traveled to Czechoslovakia, Switzerland, Austria, France, and Belgium. Friedlaender and his young wife fled the Nazi regime in 1937 settling in Paris as political refugees. In 1938 and 1939, Friedlaender worked at the literary weekly magazine Marianne on Paul Chadourne's recommendation. From 1939 to 1943 he was interned in a series of concentration camps. After the war, the Friedlaenders returned to Paris in 1945, in 1947 he became a member of the Salon de Mai, and in 1950 he became a French citizen.
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