Original 1927 Constructivist Soviet Movie Poster Der Letzte Mann The Last Laugh

Rare two sheet original vintage movie poster designed by the Stenberg Brothers (Vladimir 1899-1982; Georgii 1900-1933) for a comedy film A Perfect Gentleman starring Monty Banks. Striking Soviet...

Original vintage silent movie poster for the Russian release of a film Lucky Horseshoe / Подкова Счастья starring the great comedy actor and film director Monty Banks (Mario Bianchi / Montague Banks; 1897-1950). Colourful design featuring a gentleman with a moustache looking out to the viewer, wearing a purple jacket and tie with checked trousers...

The 1932 Soviet movie poster by Vladimir Stenberg is a striking and quintessential example of early 20th-century constructivist design, created to promote the film ТРИ (Three). This bold and dynamic poster reflects the innovative spirit of Soviet graphic design during the 1920s and 1930s, a period marked by groundbreaking artistic movements that combined art, propaganda, and technology. Vladimir Stenberg, along with his brother Georgii Stenberg, revolutionized poster art through their pioneering work in the Soviet avant-garde. The Stenberg brothers were celebrated for their ability to distill complex cinematic themes into powerful visual imagery. This 1932 poster...

The 1923 original film poster for "Four Lives" (Четыре Жизни) is a striking example of early Soviet graphic design used to promote cinema. This poster, produced by Kino Moskva, showcases the avant-garde artistic style that was prevalent in Soviet Union during the late 1920s. The film, directed by an unknown director, is likely a dramatic narrative exploring various aspects of life, symbolized through its title. The design of the poster is dominated by a powerful figure in the foreground, depicted with strong lines and geometric shapes, reflecting the constructivist influence. The use of bold, contrasting colors like red, black, and green adds to the visual impact, drawing the viewer's attention immediately. The figure's posture and attire suggest a story of resilience and struggle, themes common in Soviet cinema of that era. In the background, the stylized depiction of another face and abstract forms contribute to the dynamic composition, hinting at the film's complex narrative and emotional depth. The typography is bold and angular, consistent with the constructivist aesthetic, emphasizing the film's title and adding to the overall dramatic effect. "Four Lives" poster is not only a promotional tool but also a piece of art that reflects the cultural and political milieu of the Soviet Union in the late 1920s. It captures the spirit of innovation and the emphasis on strong, impactful imagery that characterized Soviet propaganda and film promotion...