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Amazing Original Bird Print of the Rhinoceros Hornbill and the Toco Toucan
About the Item
Title: ‘1. STEROGLOSSUS ARACARI – ARACARI GRIGRI, 2. RAMPHASTOS TOCO – TOUCAN TOCO.’ ‘
– (1. Black-necked Aracari, it is found in Brazil, French Guiana, Guyana, Suriname, and Venezuela, 2. Toco Toucan, it is found in semi-open habitats throughout a large part of central and eastern South America.)
Experience the vivid allure of avian magnificence with this astounding original bird print showcasing the Rhinoceros Hornbill and the Toco Toucan. The Rhinoceros Hornbill, an emblem of the rainforests of Southeast Asia, captivates with its immense curved bill and striking black and white plumage. Admire its majestic presence and the intricate details of its unique casque—a remarkable feature adorning its noble visage.
In juxtaposition, the Toco Toucan, a symbol of the lush South American tropics, graces the print with its vibrant and iconic oversized bill. Its vivid black plumage, contrasted with its bright yellow throat and red-orange bill, creates a stunning spectacle that captivates the eye.
This meticulously crafted original bird print exudes natural beauty and captures the essence of these majestic birds in intricate detail. Each feather and feature is impeccably rendered, offering a glimpse into the enchanting world of these remarkable avian species. Perfect for bird enthusiasts or admirers of nature's splendor, this print brings the charm and elegance of these tropical avian wonders into any space, infusing it with a touch of wild beauty.
Engraving with original hand colouring, heightened with arabic gum on wove (vellin) paper.
More info on the book in which it was published:
The 'Dictionnaire Classique des Sciences Naturelles' by Pierre Auguste Joseph Drapiez stands as a remarkable testament to 19th-century natural sciences. Published in Brussels in 1845, this work represents an expansive collation of knowledge, building upon the pioneering works of Buffon, Daubenton, Lacepede, Cuvier, de Jussieu, and other influential naturalists.
The prints within this compendium likely showcase a rich amalgamation of artistic precision and scientific accuracy. Drapiez, himself a Belgian naturalist, would have aimed for detailed representations of flora, fauna, and scientific phenomena, mirroring the illustrative styles prevalent during his time. Given the era's emphasis on illustration, these prints were likely engraved meticulously, possibly portraying intricate anatomical details or lifelike depictions of the natural world.
With Drapiez's background in natural history, the prints might bear testament to his commitment to scientific authenticity, aiming to educate and inspire scholars and enthusiasts alike. These engravings would have complemented the text, offering visual aids that elucidate the concepts and specimens discussed in the volume.
Overall, the prints of 'Dictionnaire Classique des Sciences Naturelles' likely serve as both artistic representations and invaluable scientific resources, encapsulating the essence of 19th-century natural history exploration and documentation.
- Dimensions:Height: 10.44 in (26.5 cm)Width: 6.7 in (17 cm)Depth: 0 in (0.02 mm)
- Materials and Techniques:
- Period:
- Date of Manufacture:1845
- Condition:Condition: very good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.
- Seller Location:Langweer, NL
- Reference Number:
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