Antique Engraving of Circus Flaminius, a Circular Area in Ancient Rome, 1704

Description: Antique print, untitled. This original old antique print shows an ancient Roman tomb and a floor plan in Rome, Italy. This original old ant...

Antique print titled 'Insulae Tiberinae et Pontis Senatorii Vestigia'. This original antique print shows a view of the Tiber River in Rome with the Bridge 'Ponte dei Senatori'. Above more images of Rome. Originates from 'Beschryving van Oud en Nieuw Rome. Verdeelt in drie Deelen. In 't Fransch beschreven door den Heer Francois Desseine. En in 't Nederduitsch vertaalt.', by Francois Desseine and published by Francois Halma in 1704, first published in French in 1690. Copies of this work are rarely complete as the maps and engravings are of high quality matching the work of Piranesi. Artists and Engravers: Jan Goeree (1670-1731) was a Dutch engraver and poet. He was the son of the Middelburg bookseller Willem Goeree. Born in Middelburg, but soon they moved to Amsterdam. Initially he focussed on painting, assumably a student of Gerard de Lairesse...

Antique map Rome titled 'Omnia Romanae cedant Miracula Terrae (..)'. Map of Ancient Rome Illustrating Major Monuments and the Seven Hills. This map or...

Antique print, titled: 'De Overblyfzels der Badstoven van Konstantyn den Grooten' - This original old antique print shows the remnants of Constantine I the Great's baths in Rome, Ita...

Great map of Ancient Greece. Showing the region of Thessaly, including Mount Olympus Drawn by J.D. Barbie Du Bocage Copper plate engraving by P.F Tardieu Original hand color...

This is the 1889 William H. Overend (1851-1898) and Lionel Smythe (1839-1918) first edition, photogravure of the Calcutta Cup – a Rugby match between Scotland and England, that has been played over 100 times, the first match...

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...