Antique Engraving of Houses of Benin in Africa, 1748

Antique print titled 'Procession au Temple du Serpent - Ommegang naar den Tempel des Serpents'. Print of the procession at the Temple of Pythons, Ouidah. This print originates from 'Historische beschryving der reizen, of Nieuwe en volkoome verzameling van de aller-waardigste en zeldsaamste Zee- en Landtogten' by P. de Hondt. The Temple of Pythons is a site of historical and modern symbolism and spiritual practice in Ouidah, Benin. The snakes are a major totem for followers of Vodun, a religion practiced by groups of people within West and Central African nations such as Ghana, Togo, and Benin. Vodun became somewhat widespread in southern regions of the New World as a result of the African diaspora. It became the inspiration for other religions such as Louisiana Voodoo and Haitian Vodou...

Antique print titled 'Zomer- en Winter-Wooningen te Kamtschatka'. Antique print depicting summer and winter houses in Kamchatka, Russia. Originates from 'Reizen Rondom de Waereld doo...

Antique print titled 'Diverses Sortes de Barques - Barque du Dragon'. View of Chinese vessels. The top view depicts various types of Chinese barque, including a small vessel at centre that is topped with a high canopy with a shrine on its roof and a pair of large flags...

Antique print titled 'Mandians Vacabonds - Autres Mandians'. Two views of so-called 'Mandians,' either residents of the region in Anhui province, or some type of nomadic people. They...

Antique print titled 'Village Flottant - Ville de Pau Ing Hyen avec ses Moulins a Vent'. View of two Chinese villages. This print originates from Prevo...

Antique print titled 'Mandians Vacabonds - Autres Mandians'. Two views of so-called 'Mandians,' either residents of the region in Anhui province, or some type of nomadic people. They...

We are delighted to offer for sale this Robert Dodd 1748-1816 Copper Plate print published by The British Sportsman 1792 titled Pheasant hunting An...

We are delighted to offer for sale this Robert Dodd 1748-1816 copper plate print published by The British Sportsman 1792 titled Partridge hunting ...

Madam Knipp engraving of pigeon, From Les pigeons par Madame Knip, ne´e Pauline de Courcelles ; le texte par C.J. Themminck, Paris France, 1809-1811. A remarkable large engraving of a pigeon- The Colombe Ramier or Columba Cenea or Wood Pigeon floating within a gilt frame and white matte and with UV Tru-view Clear UV Glass. From a large collection of framed...

Antique engraving of a Tucano Mangiapepe, by Saverio Manetti Circa 1776 A fine hand colored engraving of a Tuscan Magpie by the Italian artist Saverio Manetti. Manetti drew his work predominantly from real specimens. The work was one of the largest ornithology undertakings to that point in time. Dimensions: 25 inches high x 22 inches wide x 1 1/4 inches deep. (frame); (63.5cm high x 55.88cm). 18 x 14 in. (sheet) Reference: Wikipedia Manetti was born in Brozzi to Giovanni Bernardo and Maria Teresa Nesiscolt of Prague. His early studies were in Florence and later at Pisa where he studied botany under Pier Antonio Micheli. He graduated in medicine in 1745 and worked in Florence. In 1758 he joined the National Medical College where he studied anatomy under Antonio Cocchi (1695–1758), conducting the autopsy of Cocchi. Manetti was Professor of Botany of the "Società Botanica Fiorentina", a member of the German Academy of Sciences Leopoldina, a Fellow of the Royal Society, learned societies in Göttingen and Montpellier, an Accademico dell'Istituto di Bologna and he maintained scientific contacts with the Swedish botanist Carl Linnaeus and with the main scientific circles of the second half of the 18th century. He was supervisor of the Orto Botanico di Firenze in Florence from 1749 to 1782 succeeding to Giovanni Targioni Tozzetti and Secretary of the Accademia dei Georgofili. With remarkable organizational effort, he secured the publication of Storia naturale degli uccelli, Natural History of the birds, a monumental work in five volumes illustrated with 600 hand-coloured engravings based on watercolor paintings. The book was commissioned by Maria Luisa, Grand duchess of Tuscany and the first volume was dedicated to Grand Duke Pietro Leopoldo. The third volume was dedicated to Ferdinando di Brobone and the fourth to Giorgio Nassau Clavering. The engravings were made by Tuscan abbot and engraver Lorenzo Lorenzi and Violante Vanni who had studied under British engraver Robert Strange...

Francis Grose entered the army early in life and served in the cavalry, infantry, and militia.He had a profound knowledge of antiquities and spent the greater part of his life collec...

Antique hand colored riverscape / landscape copperplate engraving based on a painting by Jacob Maurer and engraved by Paul Fourdrinier - A View of Westminster Bridge from Lambeth, published according to Act of Parliament 1754 for Stowe’s Survey of London. BIO: Paul Fourdrinier sometimes referred to as Peter or Pierre Fourdrinier, was an 18th Century engraver in England. Paul Fourdrinier, engraver and printseller, was born on 20 December 1698 in Groningen in the Netherlands, the son of Jacques Fourdrinier and his wife, Jeanne Theroude, Huguenot refugees from Dieppe, Normandy. He was a pupil of Bernard Picart at Amsterdam for six years, and came to England in 1720. He was employed in engraving portraits and book illustrations. He also engraved two works by Peter Monamy, marine paintings displayed in Vauxhall Gardens. The engravings were published in 1743, but may have been executed earlier. Starting in 1742 Fourdrinier produced a series of books consisting of numerous folding charts showing "The Succession of Colonels to all his Majesties Land Forces from their Rise to 1742", as well as many other details of British military and naval personnel. The 2004 edition of the Oxford Dictionary of National Biography makes it clear that in the 19th century edition of the Dictionary of National Biography this engraver's works and career were assigned to two individuals, Peter (or Pierre) and Paul Fourdrinier. Peter/Pierre is now seen to be a fictitious individual resulting from an accidental misnaming of Paul. Paul Fourdrinier is mentioned as the engraver of some of the works listed above, and he has been identified with the Paul Fourdrinier who was of the parish of St. Martin's-in-the-Fields, married to Susanna Grolleau, and who died in January or February 1758. The couple had at least five children, including a son Henry Fourdrinier, whose daughter, or granddaughter, Jemima Fourdrinier was the mother of Cardinal John Henry Newman...