"Capture of Major Andre" Color Engraving After Asher Durand, circa 1846

This is an 1844 engraving of President George Washington. The print was issued by G. Stuart in Albion, New York and engraved by H. S. Sadd. This standing portrait shows President George Washington in front of neoclassical columns. In his right hand, he holds a dress sword...

This is a first edition print of Rough Shooting, signed by the artist, Douglas Adams. The print was published by Thomas McLean and depicts a highlands s...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

This 1865 engraving features the Emancipation Proclamation in elaborate calligraphic text, with five patriotic vignettes and a small portrait...

This is the 1889 William H. Overend (1851-1898) and Lionel Smythe (1839-1918) first edition, photogravure of the Calcutta Cup – a Rugby match between Scotland and England, that has been played over 100 times, the first match...

Set of four original lithographs, view of Portoferraio, Elba Island Italy by André Durand dating back to 1862, framed. Author: André Durand del. Eug. C...

Pair of polychrome engravings, 18th century school, after works by Francesco Albani (1578-1660), depicting "Bathers surprised by satyrs" and "Actaeon metamorphosed into a stag". Form...

Step into the past with this captivating aquatint print titled "New York in 1846 from Governors Island," a faithful copy of the original sketch by the renowned artist Frederick Caith...

Set of Four Hand-Colored Engravings after Holbein in Giltwood Frames

LOUIS ÉTIENNE DAUPHIN (1885-1926) - Untitled (French Village) - Post Impressionist fine art color copperplate engraving - F K paper water mark verso (unknown) - signed lower right - ...

Selection of Modern Engravings, from a limited edition published in the December 1938 issue of the ground breaking modern art magazine XXe. They are framed in clean lined black lacquered wood gallery frames. They are priced at $550 each. From left to right, top to bottom, they are: 1) Henri Matisse 2) Henri Laurens 3) Juan Miro...