Christo & Jean-Claude, Wrapped Coast Project, 1977, Small edition of 100, Framed

Victor Vasarely - "Venus", silkscreen on plexiglass 1987, edition 250, framed Artist Victor Vasarely (Pécs, Hungary 1906 – Paris, France 1997) is one of the founding fathers of the Op-Art movement in Europe. His brightly colored optical patterns introduced a visually kinetic aspect to the traditionally flat paintings...

Pop Art Robert Indiana Yield Brother 1971 Screenprint Edition 230 Red Blue “Yield Brother”, from the “Decade” suite. Screenprint on heavy wove-paper, 1971. An impactful work where Indiana made use of military signage, stenciled letters and a palette of strong colours creating tension between it’s call for peace and the visual language of military posters. Signed and dated and numbered (46/200) in pencil by the artist. The print also bears the artist’s copyright ink stamp. Part of an edition of 230 total: 30 artist’s proof and a regular edition of 200. The edition was printed by Domberger, Stuttgart (Germany) and published by Multiples Inc. New York City. Professionally framed in a brushed aluminium frame. Museum-glass was used to minimize reflection. Ready to hang. About the artist Robert Indiana (pseudonym of Robert Clark) ( New Castle, USA 1928 – Vinalhaven, USA 2018) was an American painter, sculptor and poet. He was a leading representative of pop art and created the internationally famous LOVE symbol in 1964. A self-described American painter of signs”, Robert Indiana’s works explore visual culture, national identity and personal history through symbols and colours inspired by signage and graphic design. Indiana had his first solo exhibition in 1962 at Eleanor Ward’s Stable Gallery, which at that time also represented Cy Twombly and Robert Rauschenberg. In 1962 he participated with the work The Black American Dream #2 in the exhibition New Realists, organized in the gallery of Sidney Janis. It was here that pop art first announced itself as a new movement in visual art. In the following years, Indiana would participate in all the important group exhibitions of this movement. Although the Pop Art movement made Indiana famous, he was never fully comfortable with the consumerist nature of Pop Art as his work often was very politically outspoken. In 1978 Robert Indiana left New York City for good, moving to the remote island of Vinalhaven in Maine, close to where his hero, the painter Marsden Hartley had lived. Since then he rarely gave interviews or engaged in the art world, yet he continued to align himself with political causes, designing the official poster for Barack Obama’s Presidential campaign in 2008. During his lifetime Indiana had countless exhibitions all over the world, and his work is included in the collections of numerous international museums: among others Metropolitan Museum New York, Museum of Modern Art New York, Tate Modern London, Stedelijk Museum Amsterdam and Hara Museum of Contemporary Art, Tokyo. Signed Signed and numbered (46/200) by the artist in pencil. Condition Overall good condition. Full margins. Slight undulation on right side of the print. Slight moisture damage in upper left margin. Edition Part of an edition of 230 total: 30 artist's proof and a regular edition of 200. The edition was printed by Domberger, Stuttgart (Germany) and published by Multiples Inc. New York City. Literature Robert Indiana Prints...

Artist François Morellet (Cholet 1926 – Cholet 2016) was a French painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art, and he played a prominent role in the development of geometrical abstract art. Morellet began his artistic career - still working in his parents' business - as a autodidact painter. His work was influenced by the work of the Dutch painter Piet Mondriaan and by the French painter Pierre Dmitrienko...

André Lanskoy – Abstract composition, lithograph on Arches paper circa 1965, professionally framed museumglass. An abstract-expressionist composition, printed on Arches paper ca. 1...

Maurice Estève – Bank Street, 1967 – Lithograph on Arches paper, professionally framed, museum-glass “Bank Street”, 1967. Colour lithograph on Arches paper. Signed and numbered (76/...

Claes Jansz. Visscher II (1586-1652) ‘catching pigeons’, copper engraving, after a design of Antonio Tempesta (1555-1630). It belongs to a series of hunting scenes by Visscher engra...

Christo and Jeanne-Claude, American, Bulgarian and Moroccan, b. 1935-2020 and 1935-2009. Newly framed and hand-signed. Title: Wrapped Reichstag Serie...

Christo / The Pont Neuf Wrapped / Project for Paris, 1984 / Collage En Deux Partes Offset lithograph in colors on woven paper, published by Nouvelles Ima...

Christo lithograph-collage Lithograph-collage (Architectural drawings by Pere Casajoana Architect) Wrapped fountain 2009 Measures: 56.0 x 71....

Fondation Beyeler and Berower Park, Riehen, Basel, Switzerland, 1997-1998 In Autumn 1998, after the trees around Fondation Beyeler and in the Berower Park had shed their leaves, Christo and Jeanne-Claude wrapped 162 trees—some up to 25 meters high—with 55,000 square meters of polyester fabric and 23 kilometers of rope. The effect of light and weather on the translucent material created a kind of amorphous sculptural choreography, an ever-changing variety of shapes, surfaces, and colors. The fabric, used every winter in Japan to protect trees from frost and heavy snow, lent the trees the appearance of precious and fragile objects. The Fondation Beyeler project was a pièce de résistance for Christo and Jeanne-Claude, and an extension and expansion of many years of interest in the concept of wrapped trees...

Wolfgang Volz The Umbrellas (Project Christo & Jeanne Claude + for Japan and USA) (1984-1991) Wolfgang Volz is a German photographer. He is best known for his collaboration with...

Christo (1935-2020) Bulgarian. The TEXAS MASTABA, PROJECT FOR 500,000 STACKED OIL DRUMS (S. 85), 1976, color lithograph & screenprint collage on 1/8” brown board, signed and numbered...