Eduardo Chillida "Portfolio 12th Anniversary of Galeria Joan Prats" Etching

Eduardo Chillida print. Spain, circa 1990. Introduce a touch of modern Spanish artistry to your space with this striking Eduardo Chillida print, circa 1990. The renowned artist's bo...

Etching made by Joan Brossa, circa 1970. Limited edition of 50 copies. Numbered (36/50) and hand-signed. In original good condition. Joan Brossa (1919-1998) was a Catalan po...

Framed Lithography made by Joan Brossa, circa 1970. Limited edition of 50 copies. Numbered (36/50) and hand-signed. In original good condition. Joan Brossa (1919-1998) was a Catal...

Lithography made by Joan Brossa, circa 1970. Limited edition of 50 copies. Numbered (36/50) and hand-signed. In original good condition. Joan Brossa (1919-1998) was a Catala...

Timeless Legacy: Eduardo Chillida's Original Historic Poster for Sala Gaspar Manufactured in Spain, circa 1971. In original condition with minor wea...

Rose Wylie artwork made in 2016. Portfolio of 66 Lithographs. Title, Things around the house. Edition of 20. Numbered and hand signed in pencil. Number of edition and signature from the artist might differ from the photo shown. For each new body of work, Rose Wylie selects a particular subject—photos of athletes...

Large framed etching titled 'Joan Prats' by Conrad Marca-Relli (1913-2000). Considered one of the main exponents of the New York School of Abstract Expressionism, he was involved in the first Abstract Expressionist show at the Ninth Street Show in 1951 with Franz Klein and gallerist Leo Castelli, marking the beginning of the unique America artistic movement alongside Pollock, de Kooning, Guston, Newman, Hoffman and Motherwell. Often considered the link between European and American cultures, he combines the dramatic effects of Abstract Expressionism with the sense of order that can be found in Italian Renaissance painting...

Selection of Mid-Century Modern Abstract Lithographs, recently professionally framed in vintage gilt wood frames under UV resistant glass. They are priced at $575 each or $2000 for all four works. From left to right, as seen in the first photo, they are: 1) Abstract lithograph by Raoul Ubac, from the limited edition portfolio Le Derriere Miroir...

Antique print titled 'Evrangzeeb, 12de Groote Mogol'. This print depicts Farrukhsiyar, the 12th Mughal Emperor. Text on verso. This print originates from 'Oud en Nieuw Oost-Indiën' b...

Antique print titled 'Maj. Gen. Zachary Taylor'. Old portrait of Zachary Taylor. Zachary Taylor (November 24, 1784 – July 9, 1850) was the 12th president of the United States, servin...

Antique print titled 'Soldiers of the Eleventh & Twelfth Centuries'. Original antique print of Soldiers of the 11th and 12th Century. This print originates from 'Illustration for Dre...

Eduardo Chillida Lithograph on cardboard Number T 169/1000 The work is signed by the artist and individually numbered (pencil) Work dimensions 47/34 The work is framed Eduardo Chillida(1924 - 2002). He was a Spanish artist. He began his career in 1943, studying architecture at the University of Madrid, but in 1947 he took up drawing and sculpture. In 1948 he moved to Paris, then the world capital of art. Although he dropped out of college, his work betrays his architectural training, revealing an underlying sense of structural organization as well as material discipline, planning spatial relationships, and scaling elements. For years, the artist used materials that were the basis for his research on conceptual and metaphysical issues. Chillida's early efforts in stone and plaster oscillated between humans and the natural world. His return to the Spanish Basque country in 1951 initiated a change of vision, focusing more on the metamorphosis of space and the definition of spatial volume through form. Chillida soon abandoned the plaster he had used in his Paris works in favor of iron, then wood and steel. These materials represent Basque traditions in industry, architecture and agriculture, and recall the landscape and black light of the region. Chillida began using alabaster for its illuminated but veiled appearance, he used it in the sculpture How Deep is the Air (1996). Despite his use of a variety of media, Chillida's intentions for simplicity and balance never allowed the material to take on a form alien to its nature. He was consistently guided by the quality of space, density and rhythm. Major retrospectives of Chillida's graphic and sculptural works have been exhibited by the Museum of Fine Arts, Houston (1966), the Carnegie Institute, Pittsburgh (1979), the National Gallery of Art, Washington, D.C. (1979), the Guggenheim Museum (1980), the Palacio de Miramar, San Sebastián (1992), and Museo nacional centro de arte Reina Sofía, Madrid (1999). Chillida's monumental sculptures designed for urban and more remote spaces are permanently installed internationally and constitute a central aspect of his artistic production. Chillida has received numerous awards, including the Grand International Sculpture Prize at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...