Engraving of an Orang-Utan on Borneo 'Kalimantan' or Sumatra, Indonesia, 1739

"Antique map titled 'Nieuwe kaart van de Sundasche Eilanden als Borneo, Sumatra en Groot Iava & c'. Detailed map of Southeast Asia, extending from the tip of Cambodia to Java. This m...

Antique map titled 'Borneo en Belitoeng'. Old map of West Kalimantan, Borneo. This map originates from 'Atlas van Nederlandsch Oost- en West-Indië' by I. Dornseiffen. Artists and...

Antique map titled 'Descriptio Borneo Insulae'. Old miniature map of the Indonesian island of Borneo. North is orientated to the left. The Equator runs through the southern part of...

Antique print with a view of Tenggarong, Indonesia. This print originates from 'Reis in Oost- en Zuid-Borneo van Koetei naar Banjermassin (..)' by Carl Bock....

Antique map of West Kalimantan, Borneo. It shows the region of the Schwaner Mountains. This map originates from 'Atlas van Nederlandsch Oost- en West-Indië' by I. Dornseiffen. Arti...

Antique map titled 'Kaart van het Eyland Borneo'. Original antique map of the island of Borneo. Published 1724-1726 by Joannes van Braam and Gerard Onder de ...

Print by engraving on copper plate Tav III TIX fig. 17-22 from the volume Navigazione; with frame 28 x 33. Some calculations are depicted. Very good condition. Shipping is insured by...

Fine 18th century engraving of a stag, after the hunt, with a magnificient dog at rest, in a country scene, beautifully depicted.

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Cartographer from Germany 1678-1757. Hand colored. Gilt wood frame. Estate of William Hodgins.

Presenting a Rare Lynn Bogue Hunt engraving of ducks unlimited 1940. This piece cam from a wealthy estate in Dallas, TX with the mansion being built...

This 1865 engraving features the Emancipation Proclamation in elaborate calligraphic text, with five patriotic vignettes and a small portrait...