Fernand Léger 'Le Vase' Lithograph in Colors
View Similar Items
Fernand Léger 'Le Vase' Lithograph in Colors
About the Item
- Creator:Fernand Léger (Designer)
- Dimensions:Height: 25 in (63.5 cm)Width: 19 in (48.26 cm)Depth: 1 in (2.54 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:circa 1927
- Condition:
- Seller Location:New York, NY
- Reference Number:Seller: #2841stDibs: 121102951052
Fernand Léger
A painter as well as a filmmaker, illustrator, stage-set designer, ceramicist and printmaker, Fernand Léger was one of the most prolific artists of the first half of the 20th century. His early mature work as a Cubist was marked by the use of bold colors and contrasts and a visual vocabulary inspired by industrial technology. In his later career, Léger turned to idiomatic, almost naïve depictions of human figures, in a belief that his work should be accessible to ordinary people and relevant to their lives.
Born in Normandy, the son of a cattle trader, Léger worked as an architectural draftsman in Paris while studying art. By 1908 he was a member of an artistic circle that included Marc Chagall, Robert Delaunay, sculptor Jacques Lipchitz, and the poet Guillaume Appolinaire, and through them he became connected to the Cubists. As opposed to the flat planes and neutral hues seen in the paintings of Pablo Picasso and Georges Braque, Léger’s Cubist abstractions were devised with vivid colors and forms that had dimensionality. Soon after his army service in World War I — he was gassed at the Battle of Verdun — Léger entered his “mechanical” period. Convinced that technology would improve the human condition, he painted compositions of tubular shapes and cylinders that are reminiscent of machine parts. In other work, Léger sought to capture the bustle and brio of modern life with references to railroad stations, factories, street signs and billboards.
Léger had also emerged from the trenches with a deep concern to make his art engage the sorts of men and women he had met during the war. He sought to bring his work to a wider audience through film, theater sets and book illustrations. In the 1920s, influenced by Purism — a variant on Cubism that promoted a simpler and more direct approach to forms and compositions — Léger produced a series of paintings depicting everyday objects: a soda siphon, an accordion, a guitar and vase. The human figure returned to his work. By 1930, pure abstraction disappeared almost completely from Léger’s art in favor of simple studies of people. Their boldly outlined forms, placed against a bright background, can be regarded as an assemblage of parts — yet in these representations of dancers, acrobats and folks on bicycles, Léger seems to be articulating a kind of kinship and affection. You will see from the works on offer why Fernand Léger is often regarded as the warmest and most humane of the great modern artists.
Find a collection of original Fernand Léger art today on 1stDibs.
- Alexander Calder 'Flying Colors’ LithographBy Alexander CalderLocated in Petworth, West SussexAlexander Calder (American, 1898-1976), 'Beastie' from 'Flying Colors’, lithograph printed in colors, 1974, each on wove paper with full margins printed to the edge, framed.Category
Vintage 1970s American Prints
MaterialsPaper
- Fernand Leger Print "Les Constructeurs"By Fernand LégerLocated in Miami, FLA very decorative print by renowned French artist Fernand Leger. Professionally framed. Measures: 16 1/4" x 13 1/4" x 3/4" D This Fernand Leger artwork will enhance any contemporary or modern setting. About the Artist: A painter as well as a filmmaker, illustrator, stage-set designer, ceramicist and printmaker, Fernand Léger was one of the most prolific artists of the first half of the 20th century. His early mature work as a Cubist was marked by the use of bold colors and contrasts and a visual vocabulary inspired by industrial technology. In his later career, Léger turned to idiomatic, almost naïve depictions of human figures, in a belief that his work should be accessible to ordinary people and relevant to their lives. Born in Normandy, the son of a cattle trader, Léger worked as an architectural draftsman in Paris while studying art. By 1908 he was a member of an artistic circle that included Marc Chagall, Robert Delaunay, sculptor Jacques Lipchitz, and the poet Guillaume Appolinaire, and through them he became connected to the Cubists. As opposed to the flat planes and neutral hues seen in the paintings of Pablo Picasso and Georges Braque, Léger’s Cubist abstractions were devised with vivid colors and forms that had dimensionality. Soon after his army service in World War I — he was gassed at the Battle of Verdun — Léger entered his “mechanical” period. Convinced that technology would improve the human condition, he painted compositions of tubular shapes and cylinders that are reminiscent of machine parts. In other work, Léger sought to capture the bustle and brio of modern life with references to railroad stations, factories, street signs and billboards. Léger had also emerged from the trenches with a deep concern to make his art engage the sorts of men and women he had met during the war. He sought to bring his work to a wider audience through film, theater sets and book illustrations. In the 1920s, influenced by Purism — a variant on Cubism that promoted a simpler and more direct approach to forms and compositions — Léger produced a series of paintings depicting everyday objects: a soda siphon, an accordion, a guitar and vase. The human figure returned to his work. By 1930, pure abstraction disappeared almost completely from Léger’s art...Category
Mid-20th Century French Mid-Century Modern Decorative Art
MaterialsPaper
- Alexander Calder "Friendship" Lithograph, Braniff Flying Colors Collection, 1973By Alexander CalderLocated in South Bend, INA beautiful vintage framed abstract lithograph from the Flying Colors Collection commissioned by Braniff International Airlines By Alexander Calder USA, 1973 Measures: 27"W ...Category
Vintage 1970s American Mid-Century Modern Prints
MaterialsPaper
- Original Joan Miró Framed Lithograph, Derriere le Miroir, 1956By Joan MiróLocated in South Bend, INA beautiful original vintage framed abstract lithograph Published in issue No. 87-88-89 of Derriere le Miroir, June-July-August, 1956, th...Category
Vintage 1950s French Mid-Century Modern Prints
MaterialsPaper
- Alexander Calder, Original Lithograph 15/90, Les Queles Deqoulinantes 1966By Alexander CalderLocated in Stockholm, SEA lithograph by Alexander Calder namned Les Queles Deqoulinantes. This is number 15 in an edition of 90. It is 76 x 59 cm (framed), 61 x 44 cm (picture). It is reframed but have the ...Category
Vintage 1960s French Modern Prints
MaterialsPaper
- Original Old Vintage Fashion Print in Full Colors. 'c.1900'Located in Langweer, NLAntique fashion print originating from a French magazine. Published, circa 1900.Category
Early 20th Century Prints
MaterialsPaper