Football World Cup Vintage Poster, by Antonio Saura, Espana 82

Original color lithograph based on a design by Henry Matisse "Jazz" Le Destin. Good age-related condition with compressions on the upper right sheet edge...

Richard Lindner (1901-1978) signed and numbered lithograph of a male portrait, entitled "Profile." From Lindner's "After Noon" portfolio. Numbered 186/250 in pencil lower left corner...

Pablo Picasso, original etching from Fernando de Rojas "La Celestine", Bloch 1691. Artist: Pablo Picasso Technique: Original etching Year of origin: 1968 Paper: On light ch...

Pablo Picasso, original etching from Fernando de Rojas "La Celestine", Bloch 1648. Artist: Pablo Picasso Technique: Original etching Year of origin: 1968 Paper: On light cham...

Pablo Picasso, original etching from Fernando de Rojas "La Celestine", Bloch 1636. Artist: Pablo Picasso Technique: Original etching Year of origin: 1968 Paper: On light ch...

Pablo Picasso, original etching from Fernando de Rojas "La Celestine", Bloch 1637. Artist: Pablo Picasso Technique: Original etching Year of origin: 1968 Paper: On light cham...

He began painting and writing in 1947 in Madrid while suffering from tuberculosis, having already been confined to his bed for five years. In his beginnings he created numerous drawings and paintings with a dreamlike surrealist character that most often represented imaginary landscapes, employing a flat smooth treatment that offers a rich palette of colors. He claimed Hans Arp and Yves Tanguy as his artistic influences. He stayed in Paris in 1952 and in 1954–1955 during which he met Benjamin Péret and associated with the Surrealists, although he soon parted with the group, joining instead the company of his friend the painter Simon Hantaï. Using the technique of scraping, he adopted a gestural style and created an abstract type of painting, still very colorful with an organic, aleatory design. The first appearances in his work of forms that will soon become archetypes of the female body or the human figure occur in the mid-1950s. Starting in 1956 Saura tackled the register of what will prove to be his greatest works: women, nudes, self-portraits, shrouds and crucifixions, which he painted on both canvas and paper. In 1957 in Madrid he founded the El Paso Group and served as its director until it broke up in 1960. During this period Saura met Michel Tapié. During the 1950s he had his first solo exhibition at the Rodolphe Stadler Gallery in Paris, where he regularly exhibited throughout his life. Stadler introduced him to Otto van de Loo in Munich and Pierre Matisse in New York City, both of whom exhibited his work and represented him, and eventually his paintings were collected by major museums. Limiting his palette to blacks, grays and browns, Saura asserted a personal style that was independent of the movements and trends of his generation. His work followed in the tradition of Velasquez and Goya. Starting in 1959 he began creating a prolific body of works in print, illustrating numerous books including Cervantes's Don Quijote, Orwell's Nineteen Eighty-Four, Nöstlinger's adaptation of Pinocchio, Kafka’s Tagebücher, Quevedo’s Three Visions, and many others. In 1960 Saura began creating sculptures made of welded metal elements which represented the human figure, characters and crucifixions. In 1967 he settled permanently in Paris, and joined the opposition to Francoist Spain. In France he participated in numerous debates and controversies in the fields of politics, aesthetics and artistic creation. He also broadened his thematic and pictorial register. Along with his Femmefauteuil (literally "Womanarmchair"), he also worked on the series "Imaginary Portraits",and Goya’s Dog...

Original vintage sport poster - World Cup July 1966 England - featuring a football and the FIFA World Championship tournament logo on a Union Jack flag background above the bold titl...

Signed vintage Victor Moscoso exhibition poster Published in conjunction with 'Trippy World' - a 1999 exhibition held at Baron/Boisante gallery, New York. Off-set lithograph Measures: 16 x 20 inches Hand signed in pencil (lower right). Very good to excellent overall condition Signed First printing; 1999; acquired directly from Baron/Boisante. Victor Moscoso was among the most gifted and influential artists to emerge from the '60s counterculture, pioneering not only the psychedelic concert poster designs made famous during San Francisco's Summer of Love, but also making his mark in underground comix. Born in Spain and raised in Brooklyn, Moscoso attended Cooper Union Art School before studying at the Yale School of Art; he arrived on the west coast in 1959 to enroll at the San Francisco Art Institute, and after graduation remained at the school for another five years to teach lithography. Alongside Rick Griffin, Wes Wilson, Stanley Mouse, and Alton Kelley...

Original vintage offset poster Campari Soda Vince La Sete Football Soccer Pijoan Condition backing / material: Linen (backed on acid-free paper and cotto...

Original vintage sport advertising poster for the 1966 World Cup Finals that took place in England from July 11 to 30 at stadiums in Wembley Everton Sheffield Sunderland Aston Villa...

A classical rollable wall chart depicting a way through 2000 years history. Used as teaching material in German schools. Colorful print on paper reinforced with canvas. Measurements...