Grant Fuller Empress Hotel Victoria British Columbia Canada Lithograph Print 34"

Suite titled “Renaixant” (Renaissance) of four framed, original and embossed lithograph prints on Arches by Alvar Sunol Munoz-Ramos, pencil signed and numbered 122/185. circa 1977. Featuring surrealist scenes with gothic architecture and ghosts / angels / muses / musicians and doves. Alvar is known for his technical expertise. He is passionate about his concept of el oficio, the commitment to his vocation and appreciation for the traditional artistic values bequeathed by the masters. Renaissance artists, especially Piero della Francesca, Vermeer and Balthus, are particularly admired by him. He views his work as an inheritance from and devotion to Catalonia, specifically Romanesque art, yet imbued with a modern sensibility. His themes, though varied, remain steadfast in their revelations about the human condition and complexities, about love and peace. Time is a prominent and recurring theme, referencing history and art history. Alvar Suñol Munoz-Ramos was born on January 29, 1935, in Montgat, a Catalan fishing village on the Mediterranean coast near Barcelona. He started painting oils at age twelve, and at age seventeen was accepted at the Escuela Superior de Bellas Artes de San Jorge, the prestigious fine art school in Barcelona. Before graduating from the Belles Artes, he gave his first solo ex- hibition at Galleries Layetana in Barcelona in 1957. Alvar also won the Bolsa de Viaje Alhambra de Granada, a summer scholarship study trip to Granada. At age 18, he entered a painting in a competition for the Young Painters Prize sponsored by the City of Barcelona. His painting won the grand prize, and it is now in the permanent collection of the Museum of Modern Art, Barcelona, Spain. Due to his early artistic successes, Alvar received many invitations for shows in other Spanish cities. During his military service, he submitted one of his canvases for the Institut Francais an- nual painting competition in Barcelona. The Institut Francais awarded him the grand prize and a scholarship to study in Paris. Alvar arrived in Paris to paint in 1959. He met Juan Fuentes, a fellow Spaniard and director of the prestigious Parisian Galerie Drouant. Fuentes encouraged Alvar in his painting and brought Alvar's first group of Paris oil paintings to the gallery. Fuentes' gallery sold the paintings in one week. In 1960 Alvar returned to Barcelona to marry his childhood sweetheart, Rosella Berenguer. They returned to Paris and lived there for ten years. Alvar's paintings were exhibited in the United States for the first time at the Monede Gallery, New York in 1962. Alvar produced his first original lithographs for a one-man show at Galerie Drouant in 1963. Since a decisive solo exhibition in Paris in 1963, Alvar has exhibited regularly throughout Europe, the United States, Canada and Japan. For a comprehensive list of Alvar's museum and private exhibitions, please see the additional in- formation provided. Alvar's hometown of Tiana hosts one of his permanent public installations. In September 2001, a commissioned mixed media mural by Alvar was unveiled. The mural reflects on the four seasons and is affixed to The Four Seasons Building, named in reference to Alvar's mural. In 2003, city officials in Montgat, Spain, commissioned Alvar to create another permanent public installation: an 18-foot sculpture titled Mediterranea dedicated to the city's personality and seaside character, which now stands in the newly opened Plaza de Mallorquines. Perhaps one of the most prestigious honors Alvar has received was in 2006 when Restaura, a Spanish real...

"Antique mid to late 19th century colored lithograph print of Myiabeillia typica (Abeille's Hummingbird) drawn by John Gould, lithographed by H.C. Richter, printed by Hullmandel & Walton. From A Monograph of the Trochilidae, or Family of Hummingbirds, published in London circa 1849-61 (supplement printed 1880-87). “John Gould was a prolific illustrator of ornithology and was noted for the beauty of his illustrations. During his lifetime he was responsible for the illustration of over 2,200 different species of birds from around the world. The work for which he is best known is his Monograph of the Trochilidae or the ""Family of Hummingbirds"", which was produced between 1849-1861. Each hand-colored lithograph, many of which are highlighted with shimmering iridescence, presents the tiny jewel-like birds visiting lush flowers and foliage.” “Henry Constantine Richter (7 June 1821 – 16 March 1902) was an English zoological illustrator who produced a very large number of skillful coloured lithographs of birds and mammals, mainly for the scientific books of the renowned English 19th century ornithologist John Gould. Many of the original drawings used by Richter as the basis for his coloured lithographs were by Gould's wife, Elizabeth Coxen, produced before her death in 1841.[1][2] Richter's reputation was overshadowed by that of his much-celebrated employer. Since it was not customary to acknowledge illustrators alongside authors in the titles of publications, his name was forgotten. But in 1978, his great ability and the extent of his contribution to Gould's work came to light, in the work of the researcher Christine E. Jackson.” “Hullmandel & Walton – Lithographic printers, in London. According to BBTI this partnership operated from 1818...

Massive abstract quadriptych lithograph print. Signed by the artist lower right, featuring abstract seascape of sailboats, ocean, waves and sand. Edition of 137 of 300.  

Nine part series by Margaret Wharton showing a deconstructed chair arranged in a variety of new forms. “Margaret Wharton (1943-2014) was an American a...

Set of two pieces of art portraying a statue of a Wood Nymph from the gardens of Middleton Place of Charleston, South Carolina. One is a poster advertising the location featuring a p...

Vintage pencil signed, limited edition lithograph print titled "Monaco" by Roy Fairchild Woodard, showing a figure in dark pants, white shirt and white hat, leaning against a white tree. Pencil signed, titled, and numbered 115/250 along bottom edge. Factory distressed champagne gilt frame with raised bevel; white mat. "Roy Fairchild - Woodard was born in 1953 in Surrey, England. He lives and works most of the year in his country home. This peaceful environment is fundamental to his well being and stability as an artist, although he travels throughout Europe to obtain new sources of inspiration. He is particularly influenced by the painters of the Renaissance, and he visits Italy in particular to study frescoes...

Framed mid 20th Century lithograph by British artist and printmaker, Alistair Grant (1925-1997). Dimensions (cm, approx): Height: 76 Width: 55.

The image depicts a copperplate engraving of a sea otter from Nootka Sound, located in Quadra and Vancouver Island on the North West Coast of America. This particular engraving was...

Pair Antique Hotel Architectural Lithograph Prints, Paul Planat France. Nicely framed pair of numbered plates. Very minor aging to the paper and age appr...

Rare, antique Parisian lithograph from the mid-19th century. The dimensions below are of the actual lithograph and do not include the exterior matte. Now more than ever, home is wher...

A rare lithograph of a portrait of Queen Victoria in her later years, entitled “Her Majesty the Queen" in nice lemon gold period frame. Sight: 17 ½ by 21 ½ Frame: 23 ½ by 27 ¾

Vintage Snaffles WWI Military Print, The Canadian. A good Snaffles WWI military print 'The Canadian', the main center colour-piece hand coloured lithograph is mounted onto the printe...