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Imperial Dignity: A Roman Senator's Garb, Lithograph Published in 1847
About the Item
Title: "Imperial Dignity: A Roman Senator's Garb in 'Costume du Moyen Âge'"
Description: This lithograph, part of the 1847 "Costume du Moyen Âge" collection, depicts a Roman senator, a figure of governance and authority in ancient Rome. The senator is dressed in traditional Roman attire, which includes a tunic and a toga, the latter of which is a symbol of Roman citizenship and prestige. The tunic is a rich, golden yellow, indicative of wealth and status, and the toga is rendered with delicate folds that suggest the weight and quality of the fabric.
Adorning his head is a simple yet elegant crown, possibly made of laurel leaves, which were commonly used as a symbol of victory and honor in ancient Rome. Around his neck, he wears a necklace that appears to be made of large beads or precious stones, further signifying his eminent position.
The senator's right hand holds a scepter, an emblem of political power or office, and his left hand rests gently on top of the draped toga. His footwear, only just visible beneath the hem of his garments, appears to be of a simple design, which would have been practical for the stone-paved forums and pathways of Rome.
The senator's facial expression is one of contemplation and serenity, appropriate for a man tasked with the weighty decisions of statecraft. His gaze is directed forward, exuding a sense of thoughtful deliberation.
This image is a historical reconstruction, capturing the essence of the Roman senatorial class with accuracy and respect for detail. It not only illustrates the clothing of a significant figure in ancient Roman society but also embodies the cultural and political significance of the senatorial role. The lithograph serves as an educational piece, bringing to life the sartorial elegance and dignity of the ancient Roman elite.
The colors have a nice glow over them. Historically, egg whites, known as glair, and sometimes egg yolk were indeed used in illumination and painting, particularly in manuscripts, to give colors a brighter appearance and to add a sheen or gloss to the work. This technique was quite common during the Middle Ages and into the Renaissance.
Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image.
Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces.
In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts, the original artists might have employed techniques or materials that gave a similar effect to those achieved with egg-based binders and varnishes.
- Dimensions:Height: 10.63 in (27 cm)Width: 7.09 in (18 cm)Depth: 0 in (0.02 mm)
- Materials and Techniques:
- Period:
- Date of Manufacture:1847
- Condition:Good. Overal light toning and light soiling but the image itself clean and hand-colored almost 200 years ago and still in expliciet colors. Aged paper with typically warm, yellowish-brown hue, mostly around the edges. Study the images carefully.
- Seller Location:Langweer, NL
- Reference Number:
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