Old Engraving of The Mausoleum of Augustus and its remnants in Rome, Italy

Antique print, titled: 'De Overblyfzels der Badstoven van Konstantyn den Grooten' - This original old antique print shows the remnants of Constantine I the Great's baths in Rome, Ita...

This plate shows views of the ruins of the Palace of Cleopatra, Egypt. Source unknown, to be determined. Artists and Engravers: Cornelis de Bruijn (also spelled Cornelius de Bruyn, p...

Beautiful set off of 5 aquatint prints of old Rome, Italy, including the popular view of the Coliseum. Matthew Dubourg (active 1786 – 1838) From "Views of the Remains of Ancient Bu...

Description: Antique print, titled: 'Meleager in Aedibus Pichinys.' Statue of Meleager in Rome. In Greek mythology, Meleager was a hero venerated in his temenos at Calydon in Aetolia. He was already famed as the host of the Calydonian boar hunt in the epic tradition that was reworked by Homer. From the 1660 Dutch edition of 'Icones et Segmenta Nobil. Signorum et Statuarum quae Romae extant' by Francois Perrier...

Antique print China titled ‘Kajutsiu'. This plate shows a view on the Chinese city of Kajutsiu. This print originates from the Latin edition of Nie...

Antique map titled 'Carte des Découvertes faites dans la Mer Pacifique sur la Vaisse au de Roi, La Resolution, Commandé par le Capitaine Cook en 1774'. Chart detailing the 1774 voyag...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

By John Pine considered the foremost heraldic and decorative engraver of his generation. Depicting the defeat of the Spanish by the English Fleet in 1588. These are after a set of tapestries that hung in the House of Commons...

Lithograph on paper made in the 1990s by the Salomone typography in Rome from a painting depicting Tisserand winner of the 1988 Italian Derby, ridden by V. Mezzatesta. With frame 66....

Lithograph on paper made in the 1990s by the Salomone typography in Rome from a painting depicting Prorutori winner of the 1989 Italian Derby, ridden by M.L. Roberts. With frame 66.5...

Lithograph on paper made in the 1990s from a painting depicting Hailsham winner of the 1991 Italian Derby, ridden by Steve Cauthen. With frame 66.5x61 cm, frame thickness 1.5 cm. Ver...