"On the March to the Sea" Print by Alexander Hay Ritchie, after F.O.C Darley

This is a large, handsome engraving entitled Washington and His Generals by Alexander H. Ritchie, one of the best historical printmakers of the mid-nineteenth century. Ritchie is par...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This is the artist proof edition of an untitled hunting scene by Douglas Adams. The print was issued in a limited, numbered edition of 300 and is signed by the artist in the margin. ...

Presented is an original fox hunting print signed by the artist, Frank Algernon Stewart (1877-1945). This print depicts one of England’s most famous fox hunting events, the Bicester and Warden Hill Hunt. The scene depicts six men on horseback galloping across a field in mid-hunt. All coloring is still intact, with lush green fields and bright riders’ jackets. As evidenced here, Stewart’s renderings of horseback hunts are some of the most celebrated and collected in the world. The beginnings of the Bicester Hunt started around the 1790s when John Warde Esq. bought a set of hounds and hunted in the Bicester area, with the main kennels located at Bainton. He hunted for 18 seasons. The first master of the Bicester Hunt was Sir Thomas Mostyn...

Vintage English Engraving Print after Richard Barrett Davis / Engraved F Bromley Removed from frame. Condition of print is quite nice outside of the wavering of the paper. The color...

William Henry Simmons (British, 1811-1882) Hand-tinted engraving after a painting by Anson Ambrose Martin. sight: 29 ½ by 20 ½ inches frame: 37 by 28 inches

Oil on panel. With MacConnal-Mason and Son, Ltd label on reverse. Featuring the 'kill' of an English fox hunt scene. Painting measures 7.25" x 15" an...

19th Century (Late) Oil Painting Prussian Military Parade Monogrammed from the French School. Beautiful painting purchased in France. Age appropriate wear, see detailed photos or mes...