
Original Midcentury Raoul Dufy Mourlot Art Poster, circa 1957
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Original Midcentury Raoul Dufy Mourlot Art Poster, circa 1957
Price:$462.69
$540List Price
About the Item
- Creator:(after) Raoul Dufy (Artist),Mourlot (Workshop/Studio)
- Dimensions:Height: 28 in (71.12 cm)Width: 20 in (50.8 cm)Depth: 0.07 in (1.78 mm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:20th Century
- Condition:Wear consistent with age and use. Minor creases and tears on the edges, traces of smudges and fading present. Considering the age of this original Mourlot art poster, it is in good vintage condition. Item may vary slightly from photos because we have two in stock.
- Seller Location:Miami, FL
- Reference Number:1stDibs: LU4082120455482
Mourlot
Mourlot Studios was a commercial print shop founded in 1852 by the Mourlot family and located in Paris, France. It was also known as Imprimerie Mourlot, Mourlot Freres and Atelier Mourlot. Founded by Francois Mourlot, it started off producing wallpaper. Later, his son Jules Mourlot would expand the business to handle the production of chocolate labels for companies such as Chocolat Poulain, as well as ledgers, maps and stationery. Starting in the 1920s, Jules' son, Fernand Mourlot, converted one of the locations into a studio dedicated to printing fine art lithography.
(after) Raoul Dufy
Raoul Dufy (1877 – 1953) was a French Fauvist painter, brother of Jean Dufy. He developed a colorful, decorative style that became fashionable for designs of ceramics and textiles, as well as decorative schemes for public buildings. He is noted for scenes of open-air social events. He was also a draftsman, printmaker, book illustrator, scenic designer, a designer of furniture, and a planner of public spaces. The impressionist landscape painters, such as Claude Monet and Camille Pissarro, influenced Dufy profoundly. Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist, and it directed his interests towards Fauvism. Les Fauves (the wild beasts) emphasized bright color and bold contours in their work. Dufy's painting reflected this aesthetic until about 1909, when contact with the work of Cezanne led him to adopt a subtler technique. It was not until 1920, however, after he had flirted briefly with yet another style, cubism, that Dufy developed his own distinctive approach. It involved skeletal structures, arranged with foreshortened perspective, and the use of thin washes of color applied quickly, in a manner that came to be known as stenographic. Dufy's cheerful oils and watercolors depict events of the time period, including yachting scenes, sparkling views of the French Riviera, chic parties, and musical events.
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