Original Serigraph by Pierre Soulages, 1988, "Seregrapie Olympiad 24 Korea

Victor Vasarely (1906-1997) Original Serigraph circa 1970 - "Juggler" Pencil signed lower right and numbered lower left. 240 of the edition of 250. Image: 25.88 x 15.88 inches. Pap...

Thomas Arthur Robertson color serigraph titled “Flight.” This print is in excellent condition with strong fresh color. It’s an edition of 43 and was created, circa 1940s. Signed in ...

Original serigraph by Sister Mary Corita Kent (1918-1986). Sheet size: 25"h x 30"w. Titled “Would You Go to Jail if it Would End the War? Quote by activist Daniel Ellsberg. Important & rare serigraph protesting the Vietnam war. Signed lower right in ink. Ca. 1971 Loosely tipped onto a black mat board measuring 26 x 31 inches. Neither matted nor framed. In excellent condition with no damage. Sister Corita Kent (1918-1986) was a nun and art teacher at Immaculate Heart College in Los Angeles. Her departure from the school (and the order) in 1968, was partially related to tension between the order and the church over the progressive reforms of the Vatican II movement, but it was also timed with her own artistic commitments and rising renown. Throughout the 1960s, she made radio and TV appearances and lectured around the country. Before Warhol made the medium famous, she was working in serigraphy (screen-printing) because it could be cheaply mass-produced and widely disseminated. Her lively, colorful works speak through graphic simplicity as they combine Bible verses, brand logos, literary quotes, and even Beatles lyrics...

California modernist Dorr Bothwell (1902-2000) original serigraph. Signed in pencil lower right and dated 1946. Edition size is also seen in pencil lower right: 8 of 35. Pencil titled lower left: "Ideograph" Framed under glass and in excellent condition. Measures: Image: 9 x 12. Frame: 16.5 x 19. Dorris Hodgson Bothwell, known as Dorr, was born in San Francisco, 1902. The Bothwell family moved to San Diego in 1911, where they became friends and neighbors with the artists Anna and Albert Valentien. Dorr began her art studies with Anna in 1916 at the age of 14. In the early 1920s, Dorr returned to San Francisco to study at the California School of Fine Arts, then studied at the University of Oregon, in Eugene, and the Rudolph Schaeffer School of Design, which was founded in San Francisco, 1926. Returning to San Diego in 1931, Dorr became involved, once more, with the San Diego art Community and exhibited with the San Diego Moderns...

Norma Bassett Hall (1889 - 1957) Original Serigraph, created circa 1940's. Pencil titled lower left “Sanctuario.” Pencil signed lower right. Measures 12 x 15 ½ inches. Sheet size is 14 5/8 x 17 3/4 inches. In very good condition consistent with age. The woodblock presents in a 2 ply 20 x 24 inch museum mat. Most remembered as a printmaker and one of the founding members of the Prairie Printmakers...

Beautiful signed and numbered abstract serigraph by Japanese artist Norio Azuma. Artist: Norio Azuma, Japanese (1928 - 2004) Title: 40th Anniversary Year: circa 1970's Medium:...

This original lithographic poster was produced for the solo exhibition of Pierre Soulages at the Galerie Berggruen in 1958. Printed by Mourlot, a fine art lithographic printers who, in the early 20th century, invited some of the most celebrated artists of the time to the studio to collaborate on traditional stone lithography including Braque, Calder, Chagall, Dufy, Léger, Matisse, Miró and Picasso...

Immerse yourself in the spirit of sport and art with the iconic 1972 München Olympic Poster created by the celebrated artist Pierre Soulages. This poster not only commemorates the hi...

Mino Ceretti, 1988 Serigraphy Number IV/XXX The work signed by the artist's signature, individual number and date (pencil) Work dimensions 51/37 The work is framed Mino Ceretti was ...

The 1992 Summer Olympics, officially known as the games of the XXV Olympiad and commonly known as Barcelona '92, were an international multi-sport event held from 25 July to 9 August...

Lithographie numero 33, 1974 Lithographie sur papier vélin d'arches Epreuve d'artiste d'une édition à 95 exemplaires Justifié au crayon "epreuve d'artiste" en bas à gauche Signée au crayon en bas à droite Exposition: Soulages l'oeuvre imprimé, edition Bibliotheque nationale de France, du 27 mai au 31 aout 2003. Une autre épreuve d'artiste exposée sous le n°82...

Antoni Clavé (5 April 1913 – 1 September 2005) was a Catalan master painter, printmaker, sculptor, stage designer and costume designer. He was nominated for two Academy Awards (Best Art Direction and Best Costume Design) for his work on the 1952 film Hans Christian Andersen. Clavé was one of Spain's best known and most celebrated artists. His work evolved from a baroque, ornamental style to a pure, minimal aesthetic. In his later years, his work is completely abstract, employing expressive lines and exploring the boundaries of collage, objet trove, shading, texture and color. He was trained at the School of Fine Arts, Barcelona, where he was taught by Angel Ferrant and Felix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Roualt. He is best known for his lyrical abstractions, works which combine paint with collage. Clavé fought in the Republican Army in the Spanish Civil War, and served as draughtsman for the Republican government. He arrived in France as a refugee in 1939 and went straight to Paris to work as an illustrator. His first one-man exhibition was held at the Au sans Pareil bookshop, 37 Avenue Kleber in Paris in 1940, where Max Ernst and other leading figures from the Dada movement had their first exhibitions in the 1920s. In 1944 Clavé met Picasso and began making figure compositions that were deeply influenced by Picasso's work, featuring kings, harlequins, children, and still lives. His theatrical designs have appeared on stages in New York, Munich, London and Paris, as well as in the 1952 film Hans Christian Andersen. His works include sets for opera, theatre, and ballet, most notably for Roland Petit's ballet company, Les Ballets des Champs Elysees (1945-1951) including Los Caprichos (1946) Carmen (1949) and a comic ballet choreographed by Roland Petit called Deuil en 24 Heures.In 1951 he designed La maison de Bernarda Alba (The House of Bernarda Alba) for director Marcel Achard at the Theatre de l'Oeuvre in Paris, and in 1962, a production of The Marriage of Figaro for Maurice Sarrazin at Théatre de la cour de l'Archeveché in Aix-en-Provence. In 1957 Clavé began to design carpets and from 1960 he began to work on sculptural bas reliefs...