Original Vintage Print by Edmund Dulac, C.1930

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Repair to...

Wonderful image by Edmund Dulac It is one of the illustrations for " Rubaiyat of Omar Khayyam " Tipped in plate. On card Lithograph. Published 1920 The measurement given is the...

Louis Icart (1888-1950). Etching on paper. "Look". Dated 1928. Visible dimensions: 46 x 35 cm. Total dimensions incl. passepartout: 67 x 49 cm. The frame measures: 2 cm. In exc...

Louis Icart (1888-1950). Etching on paper. "Madame Butterfly". Dated 1927. Visible dimensions: 51 x 35 cm. Total dimensions incl. passepartout: 66 x 47 cm. The frame measures: 4 c...

Louis Icart (1888-1950). Etching on paper. "At the Urn". Dated 1923. Visible dimensions: 44 x 33 cm. Total dimensions: 48 x 38 cm. The frame measures: 1.5 cm. In excellent condit...

Jerome Myers (American, 1867–1940) "Virginia Modeling," ca. 1912–1920 Hand-colored etching on paper, pencil signed Jerome Myers imp. with pencil notation on the back left corner of VIRGINIA MODELING Possibly an artist’s proof outside the edition of 50 Description: An exceptional and intimate hand-colored etching by Jerome Myers, a foundational member of the Ashcan School and one of early 20th-century America’s most lyrical chroniclers of urban life. Virginia Modeling depicts Myers’s young daughter seated at a table forming a small clay figure beside a lush floral arrangement—a tender scene of childhood creativity rendered with the artist’s characteristic delicacy. This composition is based on a 1912 preparatory drawing now held in the Cooper Hewitt Smithsonian Design Museum. The etching was created around 1920 and is hand-colored in subtle tones, likely by the artist himself or in collaboration with his wife, artist Ethel Myers. The work is pencil signed and marked imp, indicating that the artist printed or supervised the printing of this impression himself—suggesting a personal connection to this particular work. Virginia Myers...