Pair 19th Century Hand-Coloured Scenes from 'Fores’s Coaching Incidents'

19th Century pair of original hand coloured engravings of Egypt in gilt wood frames. After Cecile by Lienard & Reville. Titled “Thebes: Karnak. Vue de la Porte et des Temples du Sud”...

Early 19th century pair of engravings - 'George IV visiting Dublin' After Joseph Haverty RHA (1794-1864) 'The Triumphant Entry of George IV into Dublin'. 'His Majesty's Arrival', 'His Majesty's Embarkation'. A pair of coloured aquatints by Robert Havell. These prints record the visit of George IV to Ireland in 1821, when official business was overshadowed by the Kings' wish to visit Slane Castle. These are rare first state prints before the flags were re-engraved to fly at half mast for the death of Queen Caroline. This pair of aquatint prints by Robert Havell, are based on paintings by Joseph Haverty, a close friend of 'The Liberator', Daniel O'Connell. Haverty based his depictions on sketches made by John Lushington Reilly, whom Haverty has thoughtfully included in the embarkation scene. The figure of Reilly can be found in the central foreground sketching on horseback. The 18 day visit by George IV began on August 12th 1820, the Kings 59th birthday, and a mere three weeks after his coronation. The visit was arguably the first time a British monarch had visited the country without an accompanying army, in the traditional sense at least. George IV's visit was universally greeted with rejoicing from the populace. One of the first to extend his warmest welcome was Daniel O'Connell, who saw the visit as welcome support in his endeavours to achieve Catholic Emancipation...

19th century pair of black cast iron urns with baluster pillars and unusual cabbage leaf tops sitting on solid tapering squared bases. The detailed leaf patterns decorating these urn...

19th Century heavily decorated four-sided brass hall lantern with original stained glass panels.

Pair 19th century Regency era cast iron Campana-shaped petite garden urns. The pair feature Classical style design with dentil detailed rims, decorative foliate relief to the bodies, and flared masked handles on reeded round bases. Each urn sits on a four-sided raised plinth pedestal...

Late 19th Century framed needlework tapestry scene based on the painting ‘Bolton Abbey in the Olden Time’ by Sir Edwin Landseer, the original of which hangs in Chatsworth House, Devo...

A rare extra-large print, printed on engraving paper with an antique star press and watercoloured by hand representing an antique capital. The capital'...

Presenting a lovely late 19th century, EAS Douglas hunt scene aquatint engraving. Hand colored and originally painted by Edward Algernon Stuart Douglas (1...

Pair of steel engraving from the 19th century “Le Depart Du Courier” and " L’Arrive du Courrier” dedicated to Madame la Marquise de Montesquieu.

After a 19th century Indo-Persian palace painting scene print on silk in wood gilt frame. Indian Mughal School silk fabric painting or print, illuminat...

A pair of 19th century hand colored engravings titled Anguienus DUX, Indorum Rex. (Horseman on horse and the second Romanus Castrorum Praefectus (the commander of the camp). Framed i...

This is a hand coloured framed engraving of a study of Kingfisher birds all in the manner of Audubon Birds of America and dating to the Mid 19th Century. The study shows four Kingfi...