Pair of 18th Century French Framed Bernard Direx Astronomy / Geometric Rendering

Pair of Italian, 19th century gilded altar sticks. This pair of antique Italian altar sticks are more than 3 ft tall and each feature a beautifully turned central column which has been lifted up on a triangular-shaped base and three curved bracket feet. There is nicely aged gilt and old paint remnants along their front sides. The backsides of these altars are unfinished, making them best used with backs to a wall. This pair of 19th century Italian altar sticks...

A pair of 18th century Italian wooden armchairs with cane seats and backs, tapered legs, scrolled arms and cushions.

A pair of Laos swords from the late 19th century on custom stands. This pair of antique swords from Laos, often referred to as a daab or dha, were quick ...

A Swedish 18th century large tole architectural swag mounted on an iron stand. This antique swag came from a building in Sweden. This unique piece consists of a rich foliage motif that appears to be draping on its stand. The general color of this unique piece is a moss-green tone. With its classical elegance, this 18th century Swedish architectural...

Antique map titled 'Graeciae Descriptio.' Charming miniature map of Greece from the pocket atlas 'Introductionis in Universam Geographiam tam Veterem qu...

Rare pair of original hand-colored prints from Sir Albertus Seba's cabinet of natural curiosities. Prints come from published volumes in Amste...

An original antique engraving entitled "Joppe; in ’t Hebreeusch by ouds Japho; hedendaags Japha, of Jaffa; volgens d’aftekening gedaan 1668", by Nicholas Sanson d'Abbeville (1600 - 1667). This is a view of the city of Joppe (in Hebrew Japho), now called Japha or Jaffa, the harbor portion of modern day Tel Aviv, Israel as it appeared in 1668 . It depicts a very busy harbor with numerous boats. A large ship on the left appears to be firing its canons and a small ship on the right appears to be sitting very low in the water, either heavily loaded with cargo or sinking. The town is seen on the far shore with a fortress on a hill across in the background. The map is printed from the original Sanson copperplate and was published in 1709 by his descendants. The map is presented in an ornate brown wood frame embellished by gold-colored leaves and gold inner trim with a double mat; the outer mat is cream-colored and the inner mat is black. There is a central vertical fold, as issued. There are two small spots in the lower margin and one in the upper margin, as well as two tiny spots adjacent to the central fold. 1717 is written below the date 1668 in the inscription. The map is otherwise in very good condition. Another map of the "Holy Land" (by Claes Visscher in 1663), with an identical style frame and mat is available. This pair of maps would make a wonderful display grouping. Please see Reference #LU5206220653552. A discount is available for the purchase of the pair of maps. Artist: Nicholas Sanson d'Abbeville (1600-1667) and his descendents were important French cartographer's active through the 17th century. Sanson started his career as a historian and initially utilized cartography to illustrate his historical treatises. His maps came to the attention of Cardinal Richelieu and then King Louis XIII of France, who became a supporter and sponsor. He subsequently appointed Sanson 'Geographe Ordinaire du Roi' the official map maker to the king. Sanson not only created maps for the king, but advised him on geographical issues and curated his map collection...

A fine antique of the colony of Pennsylvania. Noted at the top of the sheet as a 'Map of the province of Pensilvania'. This undated and anonymous map is thought to be from the Gentleman's Magazine, London, circa 1775, although the general appearance could date it to the 1760's. The southern boundary reflects the Mason-Dixon survey (1768), the western boundary is placed just west of Pittsburgh, and the northern boundary is not marked. The map has a number of reference points that likely refer to companion text and appear to be connected to boundaries. The western and southern boundaries are marked Q, R, S, for example. A diagonal line runs from the Susquehanna R to the Lake Erie P. A broken line marked by many letters A, B, N, O, etc., appears in the east. There are no latitude or longitude markings, blank verso. Framed in a shaped contemporary gilt wooden frame and matted under a cream colored matte. Bearing an old Graham Arader Gallery...