Pl. 91 Antique Print of European 17th Century Jewelry by Racinet, circa 1880

Antique print titled 'Europa XVIIth Cent - Europe XVIIe Siecle - Europa XVIItes Jahr'. Chromolithograph of European 17th century furniture . Th...

Antique print titled 'Europa XVIIth Cent - Europe XVIIe Siecle - Europa XVIItes Jahr'. Chromolithograph of European 17th century chairs. This prin...

Antique print titled 'Europa XVI, XVIIth Cent - Europe XVIe, XVIIe Siecle - Europa XVIt, XVIItes Jahr'. Chromolithograph of European 16th-17th century carriage. This print originates...

Antique print titled 'Europa XVIIth Cent - Europe XVIIe Siecle - Europa XVIItes Jahr'. Chromolithograph of European 17th century costumes. This p...

Antique print titled 'Europa XVIIth Cent - Europe XVIIe Siecle - Europa XVIItes Jahr'. Chromolithograph of European 17th century furniture. Thi...

Antique print titled 'France XVIIth Cent - France XVIIe, Siecle - Frankreich XVIItes Jahr'. Chromolithograph of French 17th century scenes. This print originates from 'Le Costume His...

A beautiful pair of burin engravings depicting "Saint Bernardo degli Uberti" and "Saint Hilary of Poitiers" two of the patron saints of the city included in the base of the cupola ( dome ) of Parma cathedral frescoed by Antonio Allegri known as Correggio (Correggio, August 1489-Correggio 5 March 1534) between 1524 and 1530. Admirable work by the great master in which his genius as a forerunner of the Baroque is fully seen. In 1642 Giovanni Battista Vanni etched a series of fifteen plates from Correggio's frescoes. Giovanni Battista Vanni was born in Pisa around 1599; he studied successively under Jacopo da Empoli, Aurelio Lomi, and Matteo Rosselli, and then became a disciple of Cristofano Allori. He is better known as an engraver than as a painter. From 1624 to 1632, he lived in Rome, then returning to Florence after visiting Venice. In addition to the series of prints...

Beautiful etching representing the classic religious subject of the "Adoration of the Magi" by the Baroque painter and engraver Pietro Testa known as il Lucchesino. The print derives from an oil on canvas of the same name now in Montpelier. Identified by the TPL monogram on the right and the dedication signature. Paolo Bellini in the book "L'opera incisa di Pietro Testa" (The engraving work of Pietro Testa) ,published in 1976 by Neri Pozza in Vicenza, identifies this work as an example of the third state of three since, respect to the second state, the address of Gio Giacomo Rossi is added . In the lower margin there is the dedication in Latin to: Most illustrious and most reverend (cardinal) Gerolamo Bonvisi, Cleric of the Apostolic Chamber, D.D. The star on the left often blushes with the light of evil / Kings live here so that they recognize the Lord, / happy face good star shines benignly./ Petrus Testa Pietro Testa (1611–1650) was an Italian High Baroque artist active in Rome. He is best known as a printmaker and draftsman. He was born in Lucca, and thus is sometimes called il Lucchesino. He moved to Rome early in life. One source states he was ejected from the Cortona studio in 1631, soon after joining the workshop. Others state Testa trained under Pietro Paolini or under Domenichino, for whom he worked under the patronage of Cassiano dal Pozzo. He was friends with Nicolas Poussin and Francesco Mola. Some of his etchings, which often include work in drypoint, have a fantastic quality reminiscent of Jacques Callot, or embellishments of his Genoese contemporary Giovanni Benedetto Castiglione and even presciently suggest William Blake. His Sacrifice of Iphigenia appears to have influenced Tiepolo's rendition at Villa Valmarana Ai Nani in Vicenza. His early prints, from the 1630s, were often religious and were influenced by Federico Barocci...

Great image of a Nightjar Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original color P...

Great image of a Nutcracker Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original hand c...

Great image of a Dunnock Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original hand colo...

Great image of a Wryneck Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original color Pu...