Powerful Hoi Lebadang Abstract Mid Century Lithograph Signed and Numbered

A vintage outsider art style collage exhibiting (what I believe to be) an example of ‘automatic writing’. From Wikipedia: “Surrealist automatism i...

A mid 19th century English full length portrait tinsel print hand colored and hand embellished, framed and retailed by Saxon and Clemens of New York City circa mid 20th century. This print depicts, "Mr. Freer as Marmion". This is one of three tinsel prints that I have available on my HKFA storefront here on 1stdibs. From the Robertson Davies Collection website, I would like to share with you this fascinating history of tinsel prints, "As the popularity of these prints became wide spread, bags of prepared tinsel decorations were sold along with the prints making them customizable by the purchaser. Thus after the tinseling process, no two prints would be identical. Tinsel prints emerged from the tradition of toy theatres. Once an appropriate model theatre was purchased, the public could buy prints depicting actors, actresses and scenery from plays that were being performed at the time and recreate those plays in their home. As the "juvenile drama" became popular, play books were published along side prints so the words of the plays could be recreated as well. While the genre flourished the desire to purchase a larger print of a specific actor or actress remained. Thus two types of theatrical prints became to be printed: those for juvenile dramas that were small and excluded specific actors names, and actors portraits that were larger and more individualized. In the larger theatrical portraits, characters were "always displayed full length" and "striking [a] habitual and dramatic pose". The 1830's marked the emergence of tinseling prints as a past time. Before this time, if an individual wished to embellish a portrait, individual sheets of metal foil would have to be purchased, measured and cut to fit an individual print. Once tinseling became common, different packages of precut tinsel (specific to the print)would be sold with each print as aforementioned. The term tinsel specifically refers to the metal sheets used to represent armor and weapons, but more broadly includes pieces of satin, silk, velvet, leather, and feathers among other embellishments. Although tinsel prints are now viewed as works of art, in the nineteenth century they were no more than a child's pastime. Most sources cite tinseling, as well as toy theatre, as being most popular among boys from the working class. Their popularity among boys could explain why male portraits were produced more frequently than female, however, it is more likely that male costumes, with their multiple pieces of armor and arms...

A mid 19th century English full length portrait tinsel print hand colored and hand embellished, framed and retailed by Saxon and Clemens of New York City (original paper backing has been lost to time, however this print is similar to two others both from Saxon and Clemens) circa mid 20th century. This print depicts, "Mr. Collins as Sir Reginold the Bold in the Giant of Palestine". This is one of three tinsel prints that I have available on my HKFA storefront here on 1stdibs. From the Robertson Davies Collection website, I would like to share with you this fascinating history of tinsel prints, "As the popularity of these prints became wide spread, bags of prepared tinsel decorations were sold along with the prints making them customizable by the purchaser. Thus after the tinseling process, no two prints would be identical. Tinsel prints emerged from the tradition of toy theatres. Once an appropriate model theatre was purchased, the public could buy prints depicting actors, actresses and scenery from plays that were being performed at the time and recreate those plays in their home. As the "juvenile drama" became popular, play books were published along side prints so the words of the plays could be recreated as well. While the genre flourished the desire to purchase a larger print of a specific actor or actress remained. Thus two types of theatrical prints became to be printed: those for juvenile dramas that were small and excluded specific actors names, and actors portraits that were larger and more individualized. In the larger theatrical portraits, characters were "always displayed full length" and "striking [a] habitual and dramatic pose". The 1830's marked the emergence of tinseling prints as a past time. Before this time, if an individual wished to embellish a portrait, individual sheets of metal foil would have to be purchased, measured and cut to fit an individual print. Once tinseling became common, different packages of precut tinsel (specific to the print)would be sold with each print as aforementioned. The term tinsel specifically refers to the metal sheets used to represent armor and weapons, but more broadly includes pieces of satin, silk, velvet, leather, and feathers among other embellishments. Although tinsel prints are now viewed as works of art, in the nineteenth century they were no more than a child's pastime. Most sources cite tinseling, as well as toy theatre, as being most popular among boys from the working class. Their popularity among boys could explain why male portraits were produced more frequently than female, however, it is more likely that male costumes, with their multiple pieces of armor and arms...

A mid 19th century English full length portrait tinsel print hand colored and hand embellished, framed and retailed by Saxon and Clemens of New York City circa mid 20th century. This print depicts, "Mr. Freer as Alonzo the Patriot". This is one of three tinsel prints that I have available on my HKFA storefront here on 1stdibs. From the Robertson Davies Collection website, I would like to share with you this fascinating history of tinsel prints, "As the popularity of these prints became wide spread, bags of prepared tinsel decorations were sold along with the prints making them customizable by the purchaser. Thus after the tinseling process, no two prints would be identical. Tinsel prints emerged from the tradition of toy theatres. Once an appropriate model theatre was purchased, the public could buy prints depicting actors, actresses and scenery from plays that were being performed at the time and recreate those plays in their home. As the "juvenile drama" became popular, play books were published along side prints so the words of the plays could be recreated as well. While the genre flourished the desire to purchase a larger print of a specific actor or actress remained. Thus two types of theatrical prints became to be printed: those for juvenile dramas that were small and excluded specific actors names, and actors portraits that were larger and more individualized. In the larger theatrical portraits, characters were "always displayed full length" and "striking [a] habitual and dramatic pose". The 1830's marked the emergence of tinseling prints as a past time. Before this time, if an individual wished to embellish a portrait, individual sheets of metal foil would have to be purchased, measured and cut to fit an individual print. Once tinseling became common, different packages of precut tinsel (specific to the print)would be sold with each print as aforementioned. The term tinsel specifically refers to the metal sheets used to represent armor and weapons, but more broadly includes pieces of satin, silk, velvet, leather, and feathers among other embellishments. Although tinsel prints are now viewed as works of art, in the nineteenth century they were no more than a child's pastime. Most sources cite tinseling, as well as toy theatre, as being most popular among boys from the working class. Their popularity among boys could explain why male portraits were produced more frequently than female, however, it is more likely that male costumes, with their multiple pieces of armor and arms...

A vintage circa 1964 double sided die cut print by Dieter Rot (Dieter Roth 1930-1998). This double sided die cut print was part of promotional material sent...

A vintage circa 1964 double sided die cut print by Dieter Rot (Dieter Roth 1930-1998). This double sided die cut print was part of promotional material sent...

Wonderful hand signed and numbered abstract lithograph by listed Vietnamese Hoi Lebadang, circa 1970's. The abstract lithograph features colorful w...

Large Hoi LeBaDang rare lithograph framed. Signed and numbered in pencil 51/250. Lebadang, Vietnamese (1922–2015) Lithograph, Overall Size 36" wide by 52" Tall. Some minor age-approp...

Modern lithograph by Hoi Lebadang featuring a lovers embrace and herding bird details. Beautiful red hues. Limited edition (301/375) with a collectors edition certificate of aut...

A rare and hard to find owl image by Vietnamese born renowned French printmaker / artist Hoi Lebadang. The print is pencil signed and noted as artist proof in French by the artist...

A calming and serene modern lithograph on rice paper titled "Boat at Docks" by Vietnamese-French artist Lebadang. Signed in pencil on the bottom right with an H.C. annotation on the ...

Crafted during the vibrant 1970s, this Mid Century Abstract Color Lithography, signed and numbered, is a testament to the era's artistic dynamism. The lithograph bursts with bold col...