Rare Antique Engraving of the University City of Leiden, The Netherlands, c.1625

Antique print titled 'Franicker in Friesland, Academia' View of the city of Franeker, Friesland, the Netherlands. Edition: 1678. This delicate engraving originates from 'Thesauri Phi...

Plan of Brielle, Briel, Den Briel in the Province of Zuid-Holland, The Netherlands, Holland. This map originates from the 1625 edition of 'Discrittione di tutti i Paesi Bassi', by L....

Antique print titled 'Rhyn gesigt langs de Tuynen by de Hoogewoerts Poort'. Old print depicting with a view on the Rhine river, the Netherlands. This print...

Antique map titled 'Frisia Occidentalis.' - A very decorative map of the Dutch province Friesland, also showing the Wadden islands Terschelling and Ameland. With coats of arms of the...

Antique print titled 'De Aalmarkt te Leiden'. View of the 'Aalmarkt', a street in the city of Leiden, the Netherlands. Artists and Engravers: Published by C.W. Mieling. Condit...

Antique map titled 'Geldria et Transysulana'. One of the earliest maps of Gelderland and Overijssel in the Netherlands, prepared by Gerard Mercator. Artists and Engravers: Gerard...

Cambridge preparing for the boat race. A wonderful atmospheric rowing lithograph of the Cambridge crew getting into a rowing scull preparing for a race....

Great map of The Netherlands Copper-plate engraving by Cooper Published by Sherwood, Neely & Jones. Dated 1809 Unframed.

Great map of Netherlands Copper-plate engraving by Barlow Published by Brightly & Kinnersly, Bungay, Suffolk. Dated 1807 Unframed.

Presenting a Rare Lynn Bogue Hunt engraving of ducks unlimited 1940. This piece cam from a wealthy estate in Dallas, TX with the mansion being built...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...