Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Robert Mangold, Aquatint Etching Titled "Distorted Square Within a Circle"

$8,500
£6,348.17
€7,366.10
CA$11,772.56
A$13,196.95
CHF 6,881.91
MX$161,762.34
NOK 87,205.33
SEK 82,908.85
DKK 54,960.66
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Robert Mangold "Distorted Square Within a Circle", 1973 Aquatint etching, Roman Numeral edition of 10 aside from the numbered edition of 50. Full sheet. Signed dated and numbered in pencil.
  • Creator:
    Robert Mangold (Designer)
  • Dimensions:
    Height: 31.5 in (80.01 cm)Width: 26.5 in (67.31 cm)Depth: 1.5 in (3.81 cm)
  • Style:
    Modern (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1978
  • Condition:
    Wear consistent with age and use. Ready to place.
  • Seller Location:
    Stamford, CT
  • Reference Number:
    Seller: Avery & Dash - NHS1stDibs: LU918612762761

More From This Seller

View All
Robert Mangold "Frame and Elipses"
By Robert Mangold
Located in Stamford, CT
A Robert Mangold etching titled "Frame and Elipses". Produced in 1988, signed and numbered in pencil 37/50. Framed in 12-karat white gold frame using all archival acid free materials...
Category

Vintage 1980s American Mid-Century Modern Prints

Materials

Paper

Complete Set of “Three Aquatints”, Prints by Robert Mangold
By Robert Mangold
Located in Stamford, CT
A complete set of “Three Aquatints” prints by Robert Mangold. Published by Parasol Press Ltd., on Rives BFK paper. Each signed, numbered and annotated A, B, C in pencil. Framed using...
Category

Vintage 1970s American Modern Prints

Materials

Paper

Josef Albers Silkscreen
By Josef Albers
Located in Stamford, CT
Josef Albers from Formulation: Articulation, 1972. Silkscreen prints, Folio II / Folder 6 . Floated in 12 karat white gold gilt frame using all acid free archival materials. #176 of ...
Category

Vintage 1970s American Modern Contemporary Art

Materials

Paper

Josef Albers from Formulation, Articulation
By Josef Albers
Located in Stamford, CT
Josef Albers from formulation: Articulation, 1972. Silkscreen prints, folio II/ folder 10. Floated in 12-karat white gold gilt frame using all acid free archival materials. #176 of 1...
Category

Vintage 1970s American Modern Contemporary Art

Materials

Paper

"Primal Sign V Copper" Aquatint and Etching by Robert Motherwell
By Robert Motherwell
Located in Stamford, CT
"Primal Sign V (Copper)" aquatint and etching from one zinc plate by Robert Motherwell (American. 1915-1991) Numbered 18/28 with 7 artist proofs in edition. Archival framed using mus...
Category

Vintage 1980s American Mid-Century Modern Contemporary Art

Materials

Paper

Victor Pasmore Etching from "The Dance of Man In Modern Times Portfolio"
By Victor Pasmore 1
Located in Stamford, CT
An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...
Category

Vintage 1970s English Modern Prints

Materials

Paper

You May Also Like

Framed Square with Open Center (B)
By Robert Mangold
Located in New York, NY
Created by Robert Mangold in 2013, Framed Square with Open Center (B) is a soft-ground etching & aquatint measuring 27 x 27 in. (68.6 x 68.6 cm), unframed, the artwork hand-signed in...
Category

21st Century and Contemporary Abstract Geometric Abstract Prints

Materials

Etching, Aquatint

Framed Square with Open Center (A)
By Robert Mangold
Located in New York, NY
Created by Robert Mangold in 2013, Framed Square with Open Center (A) is a soft-ground etching & aquatint measuring 27 x 27 in. (68.6 x 68.6 cm), unframed, the artwork hand-signed in...
Category

21st Century and Contemporary Abstract Geometric Abstract Prints

Materials

Etching, Aquatint

Frame with Separation
By Robert Mangold
Located in New York, NY
Associated with the Minimalist art movement of the 1960s, Mangold developed a reductive vocabulary based on geometric forms, monochromatic color, and an emphasis on the flatness of t...
Category

21st Century and Contemporary Minimalist Abstract Prints

Materials

Woodcut

Homage to the Square (Summer), Geometric Screenprint by Barbara Lynch Zinkel
By Barbara Lynch Zinkel
Located in Long Island City, NY
Minimalist screenprint by American artist Barbara Lynch Zinkel, inspired by Josef Albers' iconic "Homage to the Square". Date: 1987 Medium: Scr...
Category

1980s Minimalist Abstract Prints

Materials

Screen

Large Aquatint Etching A Red Color MInimalist Abstract Etching Robert Mangold
By Robert Mangold
Located in Surfside, FL
A Red, from Three Aquatints, 1979 Aquatint on six copper plates printed on Rives BFK paper Paper Size: 40 3/4 x 40 3/4 inches (103.5 x 103.5 cm); Image Size: 33 x 33 inches (83.8 x 83.8 cm) Signed and titled lower left front Edition of 50, 10 AP, 3 TP Published by Parasol Press, New York Printed by Hidekatsu Takada, assisted by David Kelso, Crown Point Press, Oakland, California Robert Mangold (born October 12, 1937) is an American minimalist artist. He is also father of film director and screenwriter James Mangold. Mangold first trained at the Cleveland Institute of Art from 1956-59, and then at Yale University, New Haven, (BFA, 1961; MFA, 1963). In 1961 he married Sylvia Plimack, and they moved to New York. In the summer of 1962 Mangold was hired as guard at the Museum of Modern Art. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling architecture to them. He almost always works in extensive series, often carried through both paintings and lithograph works on paper. Mangold’s early work consisted largely of monochromatic free-standing constructions. In 1968 he began employing acrylic instead of oil painting, rolling rather than spraying it on Masonite or plywood grounds. Within the year, he moved from these more industrially oriented supports to canvas. In 1970 he began working with shaped canvases and within the year began brushing rather than spraying paint onto canvas. Mangold made his first prints in 1972 at Crown Point Press and has made prints throughout his career, working with Pace Editions and Brooke Alexander Editions. In 1965, the Jewish Museum in New York held the first major exhibition of what was called Minimal art (Minimalism) and included Robert Mangold. In 1967, he won a National Endowment for the Arts grant and in 1969, a Guggenheim Fellowship. In 1971, he had his first solo museum exhibition at the Guggenheim Museum. Major museum exhibitions of his work have since been held the Museum of Contemporary Art, San Diego (1974), the Stedelijk Museum in Amsterdam (1982), Hallen für Neue Kunst in Schaffhausen (1993), and Musée d’Orsay in Paris (2006). He has been featured in the Whitney Biennial four times, in 1979, 1983, 1985, and 2004. His work is related to Geometric Abstraction. Select Exhibitions Robert Mangold, Bruce Nauman, Richard Serra: Extended Drawing, Bonnefantenmuseum Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie Greta Meert, Carl Andre, Dan Flavin, Donald Judd, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, NY Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland Modulated Abstraction: Josef Albers, Carl Andre, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Fred Sandback, Richard Tuttle, Brooke Alexander Editions, New York, NY Drawings from the 1970’s, Mel Bochner, Robert Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, NY Systematic: Anne Appleby...
Category

1970s Minimalist Abstract Prints

Materials

Etching, Aquatint

Untitled V, Geometric Abstract Intaglio Etching by Omar Rayo
By Omar Rayo
Located in Long Island City, NY
Artist: Omar Rayo, Colombian (1928 - 2010) Title: Untitled V Year: circa 1970 Medium: Intaglio Etching and Aquatint, signed and numbered in pencil Edition: 50 Size: 30 in. x 22 ...
Category

1960s Minimalist Abstract Prints

Materials

Intaglio