"Rough Shooting" First Edition Antique Engraving by Douglas Adams, circa 1893

Presented is a handsome photogravure of "A Difficult Bunker" by sporting artist Douglas Adams. "A Difficult Bunker" is one in a famous trio of three paintings depicting the links at ...

Presented is an original 1893 etching by George Aikman, after an original watercolor by John Smart. This composition depicts golfers, accompanied by young caddies and families, playi...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

Fully-entitled: Army of the Potomac. The Wagon Trains of the Army of the Potomac en Route from Chickahominy to James River VA. During the Seven...

Thomas Blinks Photogravure, waiting for the guns. A wonderful titled color photogravure of four hunting dogs, setters, after Thomas Blinks original painting, waiting for the guns. Framed and mounted in a modern wooden frame with gold slip. Publication details printed in the bottom boarder 'painted by Thomas Blinks, London Published 1895 by Arthur Tooth & Sons, 5 & 6. Haymarket, S.W. copyright registered by the British Art Publishers Union Limited. New York & Mess'' Stiefbold & Co. Berlin'. Thomas Blinks was born in 1860 and was regarded as one of the best sporting artists of his generation, the turn of the nineteenth and twentieth centuries. Painting from life and largely self-taught, Blinks was a leading animal and sporting painter specializing in painting hunting scenes and was considered one of the best Victorian painters...

French Victorian oak framed engraving of landscape titled: "Le Matin" or "The Morning".  

Sporting Print Of Setters. A Thomas Blinks Photogravure, Steady! A wonderful large photogravure after Thomas Blinks original painting. Framed in original carved oak frame with gold s...

English antique etching print with black wood and golden metal frame, 1863 Etching with frame. The print depicts the scientist James Watt in his...