Selection of Colorful Modern Art or Gallery Wall

Selection of Modern Abstract paintings, probably American, circa late 1950s-early 1960s. From left to right, they are: 1) The framed abstract painting on paper on the left measure...

Selection of Modern Art, circa 1950s-1970s. From left to right, they are: 1) The abstract nude female drawing, probably American, circa 1950s....

Selection of modernist art, circa 1950s. From left to right, they are: 1) SOLD Modernist nudes painting by Lillian Lent, American, circa 1950s. It is executed on board in it's original frame. It measures 14.5" H x 16.5" W. Lillian Lent lived and worked in the Woodstock Artist colony in New York. She attended the Tyler School of Fine Art in Philadelphia. In 1959, she was awarded first prize for one of her paintings from the Albany Museum. Among some of the galleries to exhibit her work were the Albright Gallery, the Norlyst Gallery, and The Creative Gallery. 2) Amedeo Modigliani lithograph...

Selection of modernist art serigraphs or lithographs, circa 1950s-1970s. They are: 1) Victor Vasarely color lithograph, circa 1960s. It has been recently reframed in a clean lined bl...

A striking collection of four 20th Century French Modernist oil on board painting. Anchored with strong geometric colour blocks, each initialed R and dated 1967 and 1971. Recently re...

Sonia Delaunay « Avec moi même » With Myself, 1970 Etching Hand signed Copy Hors commerce Height: 66.04 cm Width: 49.87 cm

Lithography by Sonia Delaunay. Provenance: France Framed Sonia Delaunay (1885-1979) was a Ukrainian-born French artist, who spent most of her working life in Paris and, with her hu...

Sonia Delaunay Full-page, colour pochoir after costume designs by Sonia Delaunay Edition 331/500 copies on Velin Aussedat Dimensions: 28.5 x 19.5 cm. From 27 Living Paintings. [Milano, Edizioni del Naviglio, 1969]. Jacques Damase. Robes Poèmes, Introduction. Text by Guillaume Apollinaire and Blaise Cendrars. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...