Set of Three Spy Vanity Fair Framed Prints

A set of hand colored prints with gilt highlights of neoclassic urns. Elaborate Egyptian Revival frames with a bronze finish over wood. Blac...

A pair of 1910 framed prints of Asian porcelain in giltwood frames. Beautifully matted in French matts.

A set of four Italian Piranesi framed and matted engravings of neoclassical urns. The engravings are deep plate engravings with crisp images, later framed in walnut frames under glas...

Each measuring 11 wide by 17.5 high, very good condition with slight tonig, suitable for framing. B. Montfaucon Bernard de Montfaucon, O.S.B. (French: [d? m?~fok?~]; 13 January 16...

A South Prospect of Ye Flourishing City of New York in the Province of New York. Often referred to as “The Burgis View” after its creator William Burgis, this circa 1717 depiction of...

A pair of 19th century hand colored engravings titled Anguienus DUX, Indorum Rex. (Horseman on horse and the second Romanus Castrorum Praefectus (the commander of the camp). Framed i...

[English Gentlemen], from Vanity Fair twelve chromolithographs, on wove papers. Printed by Vincent Brooks Day & Son., with various dates from 1875 to 1897. Eight are by Spy, two are by Ape, one by "T" and one by Lib. Professionally framed with black and gilt frames and beige silk mats, with margins, apparently in excellent condition, not examined out of the frames. Titles comprise: "Accrington", June 11, 1892, "Newcastle Upon Tyne" July 18, 1893, "A New Peer", October 5, 1878, "South Bucks", June 4, 1896, "South Kensington", September 2, 1897, "Lord Salisbury's Manners", July 13, 1893, "The Blister", August 4, 1888, "A Postmaster General", April 30, 1892, "Sir James Miller", September 6, 1890, "Sol", October 28, 1897, "A Young Man" September 11, 1875, and "A Naturalist", September 9, 1882. Vanity Fair was a weekly magazine published in London, founded & edited by Thomas Gibson Bowles. His aim was to expose to contemporary vanities of Victorian society. From 1868 to 1914, full page colour lithographs appeared in most weekly issues, frequently lampooning or lauding their subjects which included artists, athletes, royalty, politicians, scientists, authors, actors, sportsmen, lawyers, diplomats, soldiers, clergy, scholars and other celebrities of the day - mostly British, but also many other internationally significant personalities. Over 2,300 of these colour cartoons were printed, and they are considered the chief cultural legacy of the magazine, forming a pictorial record of many of the most significant public figures of the period. They are renowned throughout the world and highly collectible and recognisable. Famous artists contributed to Vanity Fair, typically under pen names. The best remembered today is Leslie Ward (1851-1922), who signed his works as "Spy", and whose caricatures account for well over half of those featured in Vanity Fair. So famous have these fabulous prints become, Vanity Fair caricatures today often are referred to simply as "Spy Cartoons...

Chromolithograph titled 'Barnum'. Lithograph of P. T. Barnum. Phineas Taylor Barnum was an American showman, businessman, and politician, remembered for ...

Chromolithograph titled 'Lester'. Lester Berchart Reiff (1877–1948) was an American jockey who achieved racing acclaim in the United Kingdom in the first decade of the twentieth cent...

Vanity Fair Lawn Tennis, Michael Michailovitch, Grand Duke of Russia. A chromolithograph tennis print published 4th Jan, 1894, by Vincent Brooks, Day & Son Ltd. Lith., for Vanity Fai...

A striking set of three framed vintage Chinese woodblock prints from a book printed in the 1960s, each depicting a different phase of Chairman ...

Chromolithograph titled 'Johnny' Lithograph of John Reiff. This print originates from 'Vanity Fair'. Published 1900.