Signed and Numbered Minimalist Postmodern Serigraph by Ole Kortzau The Bench

A Minimalist vintage bench or coffee table. Solid steel and rosewood, heavy and well made, circa 1960s. Rosewood top has a nice patina and bookmatched graining.

A large painting by Italian born artist Luigi Maria De Rubeis, circa 1970s. A note about the artist courtesy of Saatchiart: "Italian painter, had his start in 1970 by winning a conte...

A unique wall relief by Andrei Prolettski, (born 1963, Krasnoyarsk, Russia). Made of 5052 powder coated aluminium. Here is a note about the artist from an essay by Britta Schroder: "Andrei Prolettski a contemporary artist, born in Siberia, attended the Surikov School of Art in his hometown, is exemplary in his exploration of the influence of Constructivist and Concrete Art’s legacy on contemporary art today. Although Prolettski is always on the move, always looking – he has traveled to India, Vietnam, and Africa; has lived in Germany, Switzerland, and France; and has explored Pop and Minimal Art, as well as the Russian avant-garde – his work still displays a striking similarity to the Russian pioneers of Constructivist and Concrete Art. This likeness does not merely stem from his embracing the clear formal language of geometry, but is rather the result of his taking constructivist orders and charging them with symbolic and universal meaning that goes far beyond art. The French curator and author David Rosenberg writes that “all art in Prolettski’s eyes is the attempt to find the relationship between our world and other parallel worlds, or between our dimension and other related dimensions.” He adds that the artist has “a clear interest in esotericism and occultism,” and that he is “steeped in classical culture and is fascinated by ancient religions, the art of the pyramids […] the cathedrals, […] alchemy and freemasonry.” The idea of a spiritual realm, a truth hidden behind things that takes the form of art, is something Prolettski shares with Kasimir Malevich, the painter of the famous “Black Square.” While the fact that Andrei Prolettski’s grandfather was an architect and his father a chemical engineer may be partly responsible for his pictures’ revealing an affinity with modernist industrial architecture, this is not the only reason. For one, his representations (sometimes planimetric, sometimes axonometric) of austere architectural structures enable him to transform a geometrical order (which he often drafts on scale paper) into a playing field of chromatic variations. Second, his black-and-white works like “Manhattan” and “Operation Room” revolve around the creation of moments of visual ambiguity (similar to Josef Albers’ “Structural...

An interesting collection of five (5) drawings by Richard (Rich) Jacobs, circa 2001-2005. A note about the artist: "Rich Jacobs (born 1972 in Long Beach, CA) is an American artist and curator who currently lives and works in Oakland, CA. Jacobs has exhibited in the United States,[1] Europe,[2] Australia, New Zealand and Japan. In 2008 his work Minor Threat...

Rare signed and numbered serigraph print by American artist Allan D'Arcangelo (1930-1998) Artist: Allan D'Arcangelo, American (1930-1998) Title: Untitled - Under Overpass Year:...

This beautiful silk screen litho is signed and numbered 209 of 250. Frame is original to period. Psychedelic patterns that emerge from early computational experiments parallel Optica...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

This is a beautiful custom-framed lithograph by Hungarian-born French artist, Marcel Vertes, entitled "Circus Queens". The piece is signed, Vertes, in the lower right corner and numbered, "30/50" in the lower left corner. The image itself measures 23" high x 16" wide. The frame is a 2" thick 2 toned framed, black and a subtle cerused-like grey. It was originally sold through the Vincent Price...