Signed Olive Oil Serigraph, 1977

1880s print describing shoes. From a Southampton, NY estate.

Pair of 1879s German prints of Oppenheim.

Pair of 1860s pigeon prints.

Bicyclists by the sea print in brass frame by Michal Boulat.

Pair of 19th century prints.

Tiber Press NYC was known for there vivid extreme colors. They shut down in the 1970s. To see our other Tiber press lithos, please search for item numbers LU107821904372.

Vintage 1977 limited edition seascape serigraph print of “America’s Champion I” sailboat on blue water, pencil signed and numbered 63/500 by Wayland Moore. Provenance: Estate of J. Frederic Gagel, owner of multiple Thoroughbred race horses that competed in the Narragansett Special and Kentucky Derby. Their family heritage was strongly intertwined with the military having officers in battles dating back to the American Revolution. Wayland Moore American Artist: He is a native of Belton, S.C. and a graduate of the Ringling School of Art and Design in Sarasota, Fla., according to his biographical sketch. ""His commissions and assignments have brought him international acclaim as an artist who has captured the excitement of events such as the Winter and Summer...

LeRoy Neiman (American, 1921-2021), circa 1977. "This artwork is one of Neiman's most renowned hockey illustrations. The artwork features the famed Buffalo Sabres line of Rene Rober...

Erté was born Romain de Tirtoff in St. Petersburg, Russia on November 23rd, 1892 and was raised amidst Russia's social elite. At the age of five he created an evening gown for his mo...

Amazing framed and signed serigraph titled “Rendezvous” by Del Valle. Exceptional Art Deco depiction of a dining couple.

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

A wonderfully kinetic abstract expressionist composition depicting a herd of majestic mustangs running free under the moonlight. It’s comprised of a multitude of complex, expertly la...