Traditional South Asian Woman Portrait Lithograph with Red Seal

Enigmatic lithograph depicting the face of a woman. This artwork evokes emotion and mystery, inviting viewers to take an intimate journey into their ...

This lithograph, created by the artist John Luke Eastman combines vintage beauty inspirations with a surreal atmosphere. Its square frame and vibrant red backdrop draw our attention ...

Utilizing the peacock as an emblematic Art Nouveau animal, a favorite of early 20th-century illustrators and designers, Mr. Blackwell, who was born in 1925, delivers a powerfully aesthetic scene between a woman and a peacock in this lithograph, paying homage to both Art Nouveau and Art Deco. He was among others an American fashion critic, television/radio personality, and fashion designer. We can imagine that this drawing was a study for a dress paying homage to the myth and quintessence of the beauty found within peacock feathers. Like any artist, there is a story, structure, composition, and arrangement of the woman and the peacock, creating an iridescent visual of blue, green, and yellow, a dialogue between forms, curves, and lines. It is said that the Eye on the bird’s feathers reminds us that God is always watching. The off-white background is sober, crossed by two simple circular colored shapes, in the lower part. The two subjects initially appear as one entity, but as we move into the scene, we see that the woman is holding the peacock under her arm as one might hold an accessory. Then very quickly, it appears as the main figure, taking over the entire narrative rather than an accessory or a secondary figure. The peacock's regal posture, with its unfurled feathers, contrasts with the woman's near imbalance, almost as if she was fainting. It could also be interpreted as an intimate and seductive dance, where the two subjects come together as one to pay homage to a poetic and metaphorical world where aesthetics, fashion, and onirism converge. Did you know that peacocks use...

An intriguing, clean abstract lithograph in greyscale with one bold red line crossing the piece. Signed L. Siekman. Signed and numbered 1/4. Sold unframed. We...

This lithograph by Marcus Elliott features a post-modern woman portrait, titled "Woman In Watts". The blue and yellow zig zag lines used to depict its Venus operates as a metaphor fo...

A lithograph containing three circles overlapping. Minimalist with clean lines, this hard edge piece would add much character into any environment. Titled "Jupiter 7" Print # 249...

Decorative art work, a lithograph with a figurative abstract representation. The work is signed in pencil, but this is not clearly legible. The work is framed in a simple gilded wood...

Françoise Gilot original lithograph 'Portrait of a Woman'. From the poetry book "Pages d'Amour" by André VERDET, editions Raison d'être, 1951, prin...

Françoise Gilot original lithograph 'Portrait of a Woman'. From the poetry book "Pages d'Amour" by André VERDET, editions Raison d'être, 1...

Françoise Gilot original lithograph 'Portrait Head of a Woman'. From the poetry book "Pages d'Amour" by André Verdet, editions Raison d'êt...

Joan Miro (1893-1983, Catalan) print titled, " Woman With A Mirror" Lithograph. Abstract style has vivid colors of red, blue, black, green and white. Framed in gold frame with off-wh...

Original lithograph by Mexican artist Emilio Amero (1901-1976) created 1950. Titled: “Mujer Escuchando La Concha (Woman with Shell). Edition size is 15 of 125. Signed in pencil lower left. In excellent condition. Image size: 12 1/4"h x 9 3/4"w. Presents in a 4-ply museum mat measuring 20"h x 16"w. Born in the village of Ixtlahuaca, in the state of Mexico, Emilio Amero counts Spaniards and Otomi Indians among his ancestors. Shortly after his birth, the family moved to Mexico City. In 1911 he began his studies in art at the Academy of San Carlos. He also studied drawing privately with Antonio Gomez, a family friend and well-known newspaper artist. At the academy in 1917, he became acquainted with Diaz de Leon, Rufino Tamayo, Ramon Alva de la Canal, Enrique Ugarte, and Leopoldo Mendez-all students there at the time. Later he joined the open air school in Coyoacan, founded and directed by Alfredo Ramos Martinez...