Victor Pasmore - Two Images (Blue)

Giclee print in colours with screenprint varnish, 2011, on Somerset 330gsm paper, signed in pencil, inscribed ‘A/P’ within the artist’s blindstamp (an artist’s proof aside from the e...

Comprising, Moody Rocker, A/P; Rocking my blues away, 10/40; Rocking and Rubbing, A/P and Rocking along the line, A/P, each signed and dated in pencil, 1973, on wove paper, the full ...

An elegant two seater Jacobean style settee with a two part cane panelled backrest, reupholstered in a beautiful dark green velvet and matching green braiding. Masterfully restored b...

A beautiful powder blue painted cupboard, with an unpainted oak top over two drawers, above cupboard doors revealing a single shelf interior finished in a lightly contrasting yellow,...

Screenprint in black and white, 2011, on Somerset 300gsm paper, signed and dated in pencil, inscribed ‘A/P’ (an artist’s proof aside from the edition of 125), from the portfolio Ghos...

Screenprint in colours, 2011, on Somerset 300gsm paper, signed and dated in pencil, inscribed ‘A/P’ (an artist’s proof aside from the edition of 125), from the portfolio Ghosts of Go...

Large lithograph etching and aquatint titled " Vigma Antoniniana " 30/90 signed and dated 1980 in pencil by British artist Victor Pasmore. 1908-1998. Very good to excellent condition...

An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...

Antique print titled 'Le Lion - La Lionne'. Steel engraving of a lion and lioness. This print originates from: ‘Oeuvres completes de Buffon, avec des extraits de Daubenton et la classification de Cuvier.’ Published in Paris by Au Bureau des Publications Illustrees, 59 Rue de la Harpe, 1839.Artists and Engravers: Author: Georges-Louis Le Clerc, Comte de Buffon (September 7, 1707 – April 16, 1788). French naturalist, mathematician, biologist, cosmologist and author. Buffon’s views influenced the next two generations of naturalists, including Jean-Baptiste Lamarck and Charles Darwin...

Screenprint in colors, on wove paper, signed in pencil, dated and numbered 24/70, published by Marlborough Graphics, Ltd., London, with the blind stamp of the printer Kelpra Studio, ...

Description: Two images on one sheet depicting a distillery. This print originates from 'Neuer Orbis pictus für die Jugend: oder Schauplatz der Natur, der Kunst (..)' by Jacob Eb...

A complete portfolio of "Image Stone: Moon Side" by James Turrell. Lithograph, gravure and aquatint. Made in 1999 each signed and numbered 30/40. Now each framed in black gallery fra...